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d his book called Simulacra and Simulations. Basically, he negates the reality as we usually understand it and suggest that world we live in have been replaced by simulations of the real-a copy world. According to Baudrillard, the false reality of Disneyland is presented as imaginary to make people believe all surroundings are real. The best example to understand the theory is watching the news on television of two people having an accident. He states that experience of the man and woman who were directly involved with the affair are the only ones to experience the reality and to anyone else it is just simulation. (Jean Baudrillard, 1981) Inspirited by his theory, the subject of my work is to create the hyper real world for viewers while acting in my photograph - experiencing the real world. In other words, the subject of my work which may not be noticeable is to take the viewer beyond reality. The argument being put forward here is similar to quote of Bert P. Krages (2005) “Knowing abut your subject is useful even if that knowledge does not seem to relate directly to the visual aspects of what you are trying to photograph.” It worth stating at this point that there is another aspect of my work emerging. It is a well-known fact that the woman as an object has been representing by many artists, especially surrealists and fashion photographers. Women embodied muse for artists as Man Ray or Edgar Degas. Research has shown that Edgar Degas was French impressionist who is celebrated as the master of drawing the human figure in motion. His favourite theme was women who were captured in their activities. Man Ray also found his motivation in women and is best-known for his avant-garde photography. His images provide the viewer far more differences than similarities of original model. Besides these artists it is essential to mention the influence of lecture called Human Body in Painting and Photograph where this subject has been discussed and analysed. After two years of creating, this subject matter within my practice has been transformed into performance. Performance art came into being in nineteen sixty in United States and has been representing visual artists. By nineteen seventy it was already acknowledged as global term and regarded as art. There is plenty of performance artists therefore it is compulsory to focus on artist with the greatest impact. It has been Marina Abramovic who is regarded as grandmother of performance and also Jemima Stehli who creates self-portraits by using a mirror. However, the most influential artist in addition to this topic is Cindy Sherman. Her personality has had important impact on photography as well as on my own self-directed practice. Her personality is celebrated as one of the most influential and respected American photographers in the twentieth century. Using designer cloths she was trying to point out contemporary problems of modern age and investigate ideas and images of female in media, society and nature of the conception of art. Andrew Sargus Klein (2006) claimed that Sherman endeavour to erase the notion of the voyeuristic photographer- instead, the observer is the viewer. Although some critics believe that her images are just self-portraits, however her quotation is in disagreement with this statement “I am trying to make other people recognize something of themselves rather than me.” (Cindy Sherman, 1982) Patty Chang (2000) states that performance art and photography are opposites, but both def