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Employing the Nottingham Contemporary as a case study, the aim of this research is to understand how institutions such as art galleries, within the context of wider city initiatives, are deliberately introduced as a tool for culture-led regeneration.

The notion of identity within architectural theory is not recent, yet it is far from being an agreed term. Authors on the subject present diverse strands of thought, dependent on their particular field of research.

Arguably one of the most influential figures in this debate has been Kevin Lynch, an American urban planner who in the late 1950’s brought about a new wave of interest in understanding how cities are perceived by their inhabitants. He explains,

‘identity is the extent to which a person can recognize or recall a place as being distinct from other places – as having a vivid, or unique, or at least a particular, character of its own.’ (Lynch, 1982, p.131)

In publications spanning 35 years, Lynch conducted research into those visual factors we most resonate with, hoping to increase awareness and stimulate an improvement in future urban design.

Many authors have since expanded on these fundamental investigations and, despite differences, the general consensus indicates that a successful ‘sense of place’ requires a series of attributes, that appeal to a diverse range of people. As Dolores Hayden more recently concluded,

‘it is the story of how places are planned, designed, built, inhabited, appropriated, celebrated, despoiled, and discarded. Cultural identity, social history, and urban design are here intertwined.’ (Hayden, 1996, p.15)

The layering of years of human activity and habitation, builds richer settings with which to identify. This may vary from not just visual stimuli, but incorporate the full range of senses to evoke in a person, a strong sense of imagery or emotion which creates a strong attachment tied to that place.

‘It is place’s assault on all ways of knowing (sight, sound, smell, touch and taste) that makes it powerful as a source of memory, as a weave where one strand ties in another’ (ibid., p.18)

Within a city context these attributes may comprise of landmarks, multi-cultural influences, the historical context, social, economic and political influences; whilst in the design of singular buildings, common denominators to engage the viewer include the aesthetic, scale and materiality of the built form. Each individual will observe or experience a situation differently, dependent on their own background kno本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。