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摘要：在当代美国文坛上，美国犹太作家、1976 年诺贝尔文学奖获得者索尔·贝娄被认为是继福克纳和海明威之后最主要的小说家。这篇论文主要分析索尔.贝娄小说中的女性人物。通过详尽的文本分析，本论文指出其小说中经常出现的三种主要女性人物类型，即:贤妻良母型、破坏型和独立型，分别列举并描述了各类型女性的代表性人物及其对男主人公的影本文，认为作家贝娄在对几位女性的描述刻画中，也把自己的女性观暴露无疑地展现出来.关键词：索尔·贝娄;三种女性人物形象;女性观本论文分为四个章节。第一章是文献综述，侧重强调索尔·贝娄在女性人物塑造方面的各家评论。第二章简要叙述了索尔·贝娄的生平和文学成就。第三章将索尔·贝娄十四部长篇小说中的女性形象分为三种类型，列举各种类型的代表人物，详细分析了她们的模式化形象及其对男主人公的影响。最后探讨了索尔·贝娄在刻画女性人物方面的局限及其原因。第四章基于第三章的分析和论证，提出几点结论

. . She was the one who was kind to my Uncle Ravitch, the drunkard' (ibid:134). Moreover, Nachman points out Moses Herzog's resemblance to his mother, asserting that he inherited her 'good heart' and 'gentle spirit' (ibid:211).

Sarah Herzog's influence on her son, however, is not entirely positive. Ruth Wisse has detected the disadvantages of Sarah's overprotection in the following observation:

The family situation, smothering the boy in more love than he would easily find again; endowing him with greater importance than his peer would concede him; placing him at the center of a comprehended circle, whereas he would subsequently find himself floating around some ill-defined circumference; all this blesses the child with a secure sense of self even as it bedevils his later abilities to 'get along'.

(Wisse, 2003:176)

Sarah's ambition for her children, for example, instills in Herzog a deep well of optimism; but the impracticality of that ambition can not prepare him to deal with unpleasant reality. While Moses' brothers learn to reconcile ambition with reality and become successful businessmen, Moses, like his mother, continues to encounter reality 'with a partly averted face'. Another childhood friend, Sandor Himmelstein, attempts to de-romanticize Herzog's view of his past. In doing so he exposes the degree to which Herzog retains the self-image his mother fostered:

'Who told you you were such a prince? Your mother did her own wash; you took boarders; your old man was a two-bit moonshiner. I know you Herzogs and your Yiches. Don't give me that hoity-toity. I'm a Kike myself and got my diploma in a stinking night school. Okay? Now let's both knock off this crap, dreamy boy' (Bellow, 1996:86). Admittedly, Himmelstein's version of Herzog's past is exaggerated in its bitterness. But Herzog's version seems no less exaggerated in its sentimentality. The conflict between the two views suggests a major theme with which Herzog struggles throughout the novel. It is what Bellow has defined elsewhere as the problem of 'how to reconcile high principles with low facts'. But Herzog's inability to make that reconciliation originally derives from his devotion to his mother's view of reality and, more particularly, to her view of him.

Herzog not only romanticizes his past, however he suffers an obsessive attachment to it. After one of his reflections on his childhood, Moses concludes thatNapoleon Streetwas the locus of a 'wider range of human feelings than he had ever in been able to find...All he ever wanted was there.

(Bellow, 1996:140)

2.1.2 Iva in Dangling Man

Iva is the central woman figure in Dangling Man, described as a 'quiet girl' (Bellow,1980:5). Her personality is overshadowed by her husband Joseph whose consciousness forms the main theme of the novel. She is not heard speaking in her own voice. Even in Joseph's diary entries, she appears infrequently. However, she is vital to the setting of the novel.

At the beginning of the story, Joseph resigns from his job in the American Travel Bureau to respond to the Arm丫s call for induction. As it is delayed he has to live o本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。