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From Street Fight to State Right
"The mass of individuals that the smallestmilitary unit offers the eye, united in acommon voyage. "-Clausewitz, 1806In every revolution there is the paradoxical presenceof circulation. Engels remarks in Jllllf' 1g-i~: "TI!" (11':fassemblies take place on the large boulevards, where
Parisian Itfe circulates with the greatest intensity." Lessthan acentury later, Weber says of the disappearance ofRosa Luxemburg and Karl Liebknecht (as if he weretalking about the results of a car crash) that "they called tothe streets, and the streets killed them." The masses arenot a population, a society, but the multitude of passersby.
The revolutionary contingent attains its ideal formnot in the place of production, but in the street, where fora moment it stops being a cog in the technical machineand itself becomes a motor (machine of attack), in otherwords aproducero/speed.For the mass of unemployed, demobilized workerswithout an occupation, www.51lunwen.orgParis is a tapestry of trajectories, a
series of streets and avenues in which they roam, for the
most part, with neither goal nor destination, subject to a
police repression intended to control their wanderings.For the various revolutionary groups, as for the Apaches
and other shady populations of the city's outskirts, it willbe less a matter, when the time comes, of occupying agiven building than of holding the streets.I In 1931,during the National Socialists' struggle against the Marxist
parties in Berlin, Joseph Goebbels notes, "Whoevercan conquer the streets also conquers the State!"2Can asphalt be a political territory? Is the bourgeoisState and its power the street, or in the street? Are itspotential force and expanse in the places of intensecirculation, on the path of rapid transportation?
As Goebbels again writes about the battles for Berlin,"The ideal militant is the political combatant in the
Brown Army as a movement ... obeying a law that hesometimes doesn't even know, but that he could recite inhis sleep Thus we have set these fanatical beings inmotion J1---- He- t~en scientifically compares the transcripts of hisvarious lpeeches, made first in the provinces and thenlatvn Berlin, and notices that the "amorphous sociologicalconglomerate" of the capital required the inventionof a "new language for the masses": "The rhythm ofthe metropolis with its four million souls throbs like aburning wind through the declarations of propagandists
... Here a new and modern language was spoken,one that has nothing to do with the archaic forms of socalledpopular expression. This is the beginning of anoriginal artistic style, the first form of expression to betrulyanimated and galvanizing."Mob riors reform the mob (the original mob of hunter -raiders). To lead the bands of "lost soldiers" of theworkers' army-its dromomaniacs3-that is, for the leader,to incite them, "lead them to the attack like a pack odogs," as Saint-Just said. It means giving rhythm to themobile mass's trajectory through vulgar stimulation, apolemical symphony, transmitted far and wide, from oneto the other, polyphonic and multicolored like the roadsignals and traffic directions meant to accelerate the
telescoping, the shock of the accident.4 This is the ultimate
goal of street demonstrations, of urban disorder."Propaganda must bemade directly by words and images,not by writing," states Goebbels, who was himself agreat promoter of audiovisuals in Germany. Readingimplies tim本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。