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本文是一篇英语语言学论文题目，笔者通过描绘小说中的黑人人物，沃德鼓励黑人社区说出他们所遇到的种族歧视和社会不公，将话语权掌握在他们手中，揭露种族历史的黑暗面。其次，黑人社区应该认同自己的种族身份，发现自己种族中存在的优秀品质和文化。最后，沃德呼吁白人和黑人从历史中学习，共同创造一个文明的社会。

Chapter One Power Fields Dominated by White People

1.1 The regulation of the White towards the Black in Parchman

The prison as an administrative institution is usually with the gaze of power. In Sing, Unburied, Sing, Parchman as a prison, the majority of inmates at there are Blacks. At there, the gaze from the Whites is ubiquitous, and the Blacks are under a long-term control. According to Foucault’s theory of gaze and power, 

Gaze is, first and foremost, a way of seeing, a projection of gaze, a kind of surveillance, and a vision act imposed on an object by the subject. The objects of gazing can be visible things or invisible things, because for the latter one, invisible things also have the visibility. (Zhu 39)  

In Parchman, some White inmates could be promoted to be gunmen or the trusty shooters for their good performance, though they may beat, stabbed or killed other people in the past. They would be given guns to oversee the other Black prisoners, making the Blacks work under their surveillance every day. “Each one surrounded by a barbed-wire fence. Wasn’t no brick, wasn’t no stone” “There was a couple thousand men separated into work farms over all acres” (Ward 24). In Parchman, the Black inmates are the men living in the White-made “panopticon”, and under the surveillance sight from countless trusty shooters and wardens. The word “panopticon” is coined by the British prison reformer Jeremy Bentham. The prison is a circular architecture. In this circular prison, power can consume the least amount of energy, use the easiest way to distribute the space of personnel, so this architectural figure becomes a model of power intervention. “It is an important mechanism, for it automatizes and disindividualizes power” (Foucault 202). In the Whites’ gaze process, trusty shooters and wardens treat Blacks “like a plowing horse, like a hunting dog—and bred to think he can make you like it” (Ward 24). The surveillance and labor arrangements for Black prisoners make Blacks internalize the Whites’ evaluation, and gradually lose their subjectivity as human beings. 

1.2 The judgment of the death of Given in the court

The oppression of the Whites’ gaze on black people is not only found in prisons, but can also be found in the court. In the eyes of racists, Black people represent barbarism, ignorance, and backwardness. Because of this stereotype, many Black men are denied the opportunity to display their talents or are often suppressed when they have the opportunity to do so. In Sing, Unburied, Sing, Given is shot by Michael’s cousin for he wins the game and shows his excellent hunting skills. Even in the court, Givens’ families are oppressed by the gaze from the White men, so they have to give up pursuing further. 

Given, Leonie’s older brother, is tall, muscular, and good at playing ball as well as socializing. When Given shares his plans to attend the party with his White and Black teammates in Kill, River warns him not to go, “They look at you and see difference, son. Don’t matter what you see. It’s about what they do” (Ward 43). In River’s view, the White men are in the subject position in society, alw本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。