摘要:It's the most close rivals KangSi too, Bob in 1828 said: "through the creation of some great, the splendid, beautiful image", he caught through one of the art as basic tendency, he wrote: "through the became more and more unfaithful in nature".
owever very desolate, and the two were by stamping on the path, a left or right side of the set in it. There is a road signs like thing made at a crossroads side, and a ZhuZhang farmers dress up, is standing there looking sideways. He seemed so lonely, so disappointed, it reminds people of our country the yuan dynasty poet of MaZhiYuan sentence: "a person in the end of the world". V pull Jimmy's from way for a long time, is from the Moscow or after Moscow was sent to Siberia prisoners the necessary way, thousands of prisoners, including many revolution progressives, with heavy chains, are difficult to walk this far out to the article long road. That was out of step path, seems to be accused a tragedy. In this painting, LieWeiTan and no specific performance revolutionaries exiled scene, however, but makes the viewer to seem to see the figures, especially ones that diffused to distant avenue, the viewer to lead to the painting but outside of the local-Siberia, there was the end of the exiles. LieWeiTan with masterly craft, impressive displays the grey day sadness mood, the performance is the vehicles and lonely along the road to walk travelers, the painter in the painting, reflects the lofty ideological content, reflected the deep, social, civic conception. By showing the way of the far this article, and embodies the against the brutality of the feudal serf system at that time. LieWeiTan with deepest sympathy at that time to the revolutionaries and the tyranny of indignation, wonderful to describe the full article, though desolate but it can arouse people a lenovo, dirt road, and the make people can't help to those who oppose autocratic system of the tsar revolutionaries have deep sympathy and heartfelt admiration. This kind of intense humane care reflected in many of the scenery LieWeiTan works, give a person prolongs shock, this is his work's most admirable place.
These are all kinds of artists, because of age in, life differences in background, and create a wide variety of landscapes, worth our research. Personally, I think the third painter is performance of the landscape of the highest level, art is the crystallization of human emotions, do not contain the emotion of art is not exist. Landscape on the surface is performance of the objective world, however, in the objective world, can be seen everywhere artist subjective shadow. Art household emotional to painting landscapes, with subjective to lead, to express or even change the objective world. This type of the artist's landscape painting is to get higher cost. Because the only way, landscape has a "spillover effect, can lead to emotional viewers a higher emotional world, and the world is the viewer itself can't expect.
The nineteenth century Britain's great landscape painting artists through the third type, belong to the artist, will own mind and the objective world, the introduction of the painting, and use of painting full expression oneself of emotions. Be described the object is not only to the objective, the real and the external beauty, and that the nature of the unpredictable. Light, color, and movement in the subject of real become works. Through the creation of a personal expression will no longer works for any special needs, and just for myself. And it is this emotion produce it cause he landscape unique, let us explore the future generations to study.
Second, art style accumulation
Through the (see figure 8) was born in families
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