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论文作者:www.51lunwen.org论文属性:本科毕业论文 Thesis登出时间:2014-08-22编辑:felicia点击率:17044
论文字数:6178论文编号:org201408211327577205语种:英语 English地区:中国价格:免费论文
关键词:动画电影视觉效果电影拍摄animated filmsspectacle
摘要:本文是一篇电影学毕业论文。本文通过动画电影《最终幻想:内精神(坂口博信,2001)和《超人特工队》(布拉德·伯德,2004)简要分析叙事的重要性。通过电影发展看叙事和电影场面如何影响电影媒介的传播和发展。
This is the peak of the crisis or triangle as all the problems are laid bare and the tension has built up, we know what Syndromes (villain) intensions are. The climax or the solving of the problems are to follow next as we climb down the triangle, as the family of superheroes solve the problems one by one. The family now together try to find a way to stop Syndromes plans and save the world, restoring the balance in the end and the story coming to an appropriate closure of the current events. I say appropriate closure because the films ending is more or less an open possibility for a sequel or maybe more.
I loved the narrative as it has a bond’esque feel about it, saving the world from a mad man. I was easily and simply able to establish who the heroes and villains were and the fact that the story had a suitable closure as all the loose ends of the story were tied up. Examining the narrative overall I can safely say that the relatively straightforward narrative fits Freytag’s triangle perfectly in view of the fact that all the problems that grew were resolved in the end.
I would like to mention the beginning of the film was a parody to the 1950/1960’s U.S superhero comics and films. The likeness is significant in the terms that the film begins in the past and works its way to the present day and when the superhero’s lived alongside average citizens and the fact that the look of the film mimicked the same style of news reporting when the superheroes over the world were being sued. In addition the stylised characters with the large upper torso, broad shoulders, square jaw and smaller than average legs evidently represented by Mr Incredible were mimics of the 1950/1960’s U.S superheroes. This parody worked well as it gave the film authenticity and it felt that time had moved on within the film to the present day.
Even though the characters were not photorealistic, the animation sold the concept that they were real. The exaggerated motions like I mentioned before convinced me that these artificial characters had feelings and they genuinely exist. This was quite an achievement for pixar, as cg characters before The Incredibles, whether in television adverts, cartoons or short animated films have not been quite rigid but lacked that sense of energy and dynamic in them.
This can raise the question, is animation only successful with non-human or non-realistic characters? This question in itself is worth another essay, to be studied accurately, but in short I would like to think not, since there have been films that have major success such as The Incredibles clearly, Toy Story 1&2 also made by people at pixar studios, Shrek 1&2 by Dreamworks Animations and feature length films which include ‘CG doubles’ of their live counterparts. Again the theory of ‘The Uncanny Valley’ comes into play as successful films of non-realistic characters maybe down to the fact that people find it strange when CG characters end up looking ‘too real’ on screen.
he appearance of the film was simplistic, almost approaching a ‘minimalist’ look and stylised but not over done as to steal the limelight of the narrative. The narrative is the dominant element within this fi本论文由英语论文网提供整理,提供论文代写,英语论文代写,代写论文,代写英语论文,代写留学生论文,代写英文论文,留学生论文代写相关核心关键词搜索。