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rom theverbal assumption to the excitement of action;from the disguise of hunting wild boars,it gradually evolves into the madness of the whole group.As the novel progresses,“paint”is no longer just a cover for Jack’s evil deeds,it gradually becomes a symbol ofthe evil that is pervasive in human nature.When everyone joins Jack’s group,personalidentity becomes blurred and civilized society ceases to exist.

Chapter Three Alienation of Social Space ................................ 32

A. Jack and Ralph: Construction of War Scenes ...................... 32

B. Survival Dilemma: Collapse of Utopia ........................ 38

Conclusion .......................... 42

Chapter ThreeAlienation of Social Space

A.Jack and Ralph:Construction of War Scenes

Lefebvre pioneered the concept of“social space”,freeing space from theconstraints of traditional geography and giving it a social orientation,on the basis ofwhich he explored the relationship between space and social production.He focused onthe social properties of space,emphasizing that space is“a product of the capitalistmode of production and an economico-political instrument of the bourgeoisie”(Lefebvre 129).Although Lord of the Flies depicts the story of boys on an isolated island,it is set against the backdrop of war.War,as a political means for the bourgeoisieto seize space,embodies the social properties of space.Golding once recounted themotivation for the creation of Lord of the Flies in a lecture:

Before the second world war I believed in the perfectibility of social man;that a correctstructure of society would produce goodwill;and that therefore you could remove allsocial ills by a reorganization of society.It is possible that today I believe something ofthe same again;but after the war I did not because I was unable to.I had discovered whatone man could do to another.I am not talking of one man killing another with a gun,ordropping a bomb on him or blowing him up or torpedoing him.I am thinking of thevileness beyond all words that went on,year after year,in the totalitarian states.It is badenough to say that so many Jews were exterminated in this way and that,so many peopleliquidated—lovely,elegant word—but there were things done during that period fromwhich I still have to avert my mind less I should be physically sick.They were not doneby the headhunters of New Guinea,or by some primitive tribe in the Amazon.They weredone,skillfully,coldly,by educated men,doctors,lawyers,by men with a tradition ofcivilization behind them,to beings of their own kind.I do not want to elaborate this.(Golding,The Hot Gates and Other Occasional Pieces 86-87)

Conclusion

The space presented by Golding in Lord of the Flies is comprehensive and highlyalienated,where individuals are trapped in dilemma and suffer varying degrees ofalienation until the utter collapse of society.Edward Soja argues that the“despatializinghistoricism”of the late nineteenth and early twentieth centuries“occluded,devalued,and depoliticized space”:“The last decades of the nineteenth century,examined inretrospect,can be seen as an era of rising historicism and the parallel submergence ofspace in critical social thought.……This rise of a desp本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。