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论文作者:英语论文网论文属性:课程作业 Coursework登出时间:2011-06-29编辑:fic点击率:2940
论文字数:2758论文编号:org201106292217038673语种:英语 English地区:英国价格:$ 33
关键词:American filmswestern filmearly twentieth centurygeographical causesStagecoach
摘要:American films began with the western film. It only belongs to America due to its story topics and background featuring in American west development. The First Great Train Robbery in 1903, though a short film, was recognized as the beginning of the western films, as it brought American films a “western atmosphere”. The movie directed by Edwin. S. Porter caused a stir in the audience at that time in spite of its simple plot, as in the end of the film an unidentified man appeared on the screen and fired a shot at the audience. Silent as it was, the moving picture made the atmosphere so realistic that the audience were quite shocked in the early twentieth century. Later in 1939, John Ford’s Stagecoach made the western film more mature
论文题目:Film history
论文语言:英语论文 English
论文专业:film history
字数:2500
学校国家:英国 U.K.
是否有数据处理要求:否
您的学校:UEA
排名20
论文用于:BA essay 本科课程作业
1. Introduction
American films began with the western film. It only belongs to America due to its story topics and background featuring in American west development. The First Great Train Robbery in 1903, though a short film, was recognized as the beginning of the western films, as it brought American films a “western atmosphere”. The movie directed by Edwin. S. Porter caused a stir in the audience at that time in spite of its simple plot, as in the end of the film an unidentified man appeared on the screen and fired a shot at the audience. Silent as it was, the moving picture made the atmosphere so realistic that the audience were quite shocked in the early 英国史课程论文twentieth century. Later in 1939, John Ford’s Stagecoach made the western film more mature
2. The origin and development of western film
2.1 Historical and geographical causes
2.2 The influence of Hollywood types
3. The entertainment features and social-cultural functions of western film
3.1 The entertainment features of western film
3.2 The social-cultural functions of western film
4. Elements of western film in Stagecoach
Conclusion
Bibliography
Adorno, T. W., with Max Horkheimer. Dialectic of Enlightenment. Trans. Edmund
Jephcott. Stanford: Stanford UP, 2002. 242.
Bazin, André. (1971) "The Western, or the American Film Par Excellence" and "The
Evolution of the Western." In What is Cinema? , translated by Hugh Gray, vol. https://www.51lunwen.org/ygslw/
2, 140–157. Berkeley: University of California Press.
Everson, William. (1992) The Hollywood Western. New York: Citadel Press.
Hardy, Phil. (1983) The Western. London: Aurum Press.
Stm, Robert. Film Theory: An Introduction. Malde, MA: Blakwell 2000.
Warshow, Robert. (1964) The Immediate Experience. New York: Anchor Books.
Warshow, Robert. (2001 revised ed.) Movie Chronicle: The Westerner. The Immediate
Experience, 105-124. Cambridge, MA: Harvard University Press.