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英国文学论文——论英国小说《金色笔记》

论文作者:英语论文论文属性:职称论文 Scholarship Papers登出时间:2012-03-06编辑:lena ding点击率:12762

论文字数:6524论文编号:org201203061041111241语种:英语论文 English地区:中国价格:免费论文

关键词:Cubismnovel formrepresentation of realityshaping principlesimultaneitymultiplicityreflexivity

摘要:本文运用跨学科的研究方法解读《金色笔记》的小说形式是一种创造性的、有意义的尝试,以期为充实莱辛小说研究提供一个新的视角和研究思路。

Abstract

The Golden Notebook is the most famous work by Doris Lessing. It is remarkable for its rich characterization, sharp political and social criticism, and original experiment on the novel form. The thesis mainly focuses on the significance of Lessing’s experimentation on the novel form.
Doris Lessing reflects upon and explores the relation between representation of reality and novel forms in the book. Based on the shaping principles by Cubism, the most influential Western art movement in modern times, she constructs the novel form of The Golden Notebook. The principles include the union of time and space, multiplicity of perspectives in representing reality and reflexivity in literary and art creation and observation.
The paper expounds the argument from three aspects. Chapter One traces the historical evolution of novel forms and highlights the originality of the novel form in The Golden Notebook. Chapter Two illustrates the close relation between novel and painting and specifies the parallel relation between the novel form in The Golden Notebook and Cubism. Chapter Three analyses in detail the novel form of The Golden Notebook and its parallel relationship with Cubism in terms of shaping principles and dynamics.
The interdisciplinary perspective employed in the thesis intends to provide a different reading and research orientation in evaluating the novel form.

 

Key words: Cubism; novel form; representation of reality; shaping principle; simultaneity; multiplicity; reflexivity

 

Contents
Abstract (Chinese & English)
Introduction 1
Chapter One: Forms in Novel 7
1.1 What Is Form? 7
1.2 The Evolution of Novel Forms 8
1.3 What Is New in the Form of The Golden Notebook 11
Chapter Two: Novel and Painting 15
2.1 Novel and Painting 15
2.2 What Is Cubism? 18
Chapter Three: Cubism in the Form of The Golden Notebook 20
3.1 Simultaneity: The Union of Time and Space 20
3.1.1 Temporal Form in The Golden Notebook 22
3.1.2 Spatial Form in The Golden Notebook 24
3.2 Multiplicity: Fragments and Unity 26
3.2.1 Breaking into Fragments: Divided Selves in the Four Notebooks 28
3.2.2 Parts into Whole: the Golden Notebook 31
3.2.3 An Irony: Free Women 31
3.3 Reflexivity: From Reality to Observation 34
Conclusion 39
Bibliography 44
Acknowledgements

Introduction
Literary Review of Doris Lessing and The Golden Notebook
After many years of toiling in writing, Doris Lessing has now safely established herself as being “the most extraordinary woman writer” (Greene, 1994: 1) and “very much a representative writer for our time” (Bloom, 1986: 7). Her major work The Golden Notebook has been ranked by many critics as “one of the most powerful of post-war British novels” and “the most remarkable work by a woman to appear in Britain since Virginia Woolf’s” (Bradbury, 2004: 381).
Doris Lessing’s critical reputation is remarkable from the very beginning of her literary career. Her success as a professional writer began with the publication of her first novel The Grass Is Singing. It was accepted by Michael Joseph in London in 1950 and was an instant success, being immediately recognized as an exceptional novel on colonialism. “I had very good reviews, and I had enough money to keep me going for a bit” (Bookshelf, 1992), as Doris Lessing recalled her early succ论文英语论文网提供整理,提供论文代写英语论文代写代写论文代写英语论文代写留学生论文代写英文论文留学生论文代写相关核心关键词搜索。

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