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论文作者:www.51lunwen.org论文属性:本科毕业论文 Thesis登出时间:2014-07-23编辑:felicia点击率:12567
论文字数:6012论文编号:org201407222141133751语种:英语 English地区:中国价格:免费论文
关键词:当代抽象画当代艺术家contemporary abstract paintingart worldcontemporary artists
摘要:本文是一篇艺术学留学论文。在当今的艺术世界,很多人对当代抽象画不理解,随着时代技术的不断发展,艺术界也受到了时代技术的影响,不仅影响艺术家的创作,也影响到了艺术家的思维形式和创新能力。本文从艺术作品的语言出发,分析艺术作品语言的特点和重要性。
The first younger Contemporary painter's work that will be discussed is that of Nicholas May (b.1962. His artwork uses an experimental painterly approach with the paint material. When talking about his work the dissertation will refer to art critic James Elkin and his ideas about the language of painting, exploring what paint can do on a canvas as a material. Whilst analysing May's work it will also relate back to Greenberg's views on modernism and the concepts that have been lost and brought forward into contemporary painting. Another contemporary artist with a similar working method to Nicholas May is the 'John Moore's painting prize 2010' exhibitor GL Brierley. Through Comparing his work to May's and referring to modernist concepts this dissertation hopes to achieve an understanding of how these painters works fit into the art world today.
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Contemporary artist Carrie Moyer's work is similar to Nicholas May as it contains alchemic experimental elements, flatness of the picture plane but graphic elements suggest her influence from the digital, she studied graphic design as an M.A. influences from that but later took a painting course MFA. Her use of glitter. Feminist writings interested in female artist today. Fiona Rae's painting will also be of interest. Paintings are influence from the digital, Use of Photoshop to create paintings.
Discussing the questions formed by these artists' creative intentions, subject methods and sources of painting will form a discussion on the status of abstract painting and the artist in society today.
Looking at how abstract painting was defined during the modernist era and how it has progressed over the years to present day. The following chapter will discuss where abstract painting came from and the ideas and theories of Clement Greenberg.
Chapter One: Greenberg's Theories on Modernism.
Clement Greenberg sets out to define the importance of abstract art in his first manifesto written in 1936 for the magazine The Partisan Review entitled ''Avant-garde and the Kitsch''. Here he discusses for the first time concepts behind the modernist art movement. Greenberg viewed western painting up until the early 19th century as limited. The works had become stagnated and weren't moving forward, they were stuck using the same techniques and form.
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