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在当今的艺术世界，为了对当代抽象画有更彻底更清楚的了解和认识，本文将探讨自1960年以来绘画怎样受到艺术家的质疑和不理解，首先，本文将讨论当代艺术家如何受到时代技术发展的影响,以及技术如何影响艺术家的创作，特别是技术在艺术家绘画中的体现。讨论的另一个重要领域是当代艺术家的作品,抽象绘画似乎不适应技术变革，并且似乎并不能反映当代文化的变化。很多画家仍然坚持作画，仅仅从绘画本身出发，探索单单依靠什么样的材料可以完成一幅画，这些画家才是真正的画家。

重要的是,本文首先定义了现代主义艺术运动和将抽象画引入历史洪流中的创造性思维。批评家克莱门特格林伯格提出给抽象绘画作品设置一定的背景，这些理论思想和观点得到了广泛的讨论。格林伯格是20世纪期间一个有影响力的艺术批评家,从20世纪30年代，引入了很多绘画讨论话题。本文将特别阐述格林伯格的言论，他认为在现代主义绘画中，纯洁性和平整度是十分重要的。论文将分析60年末绘画界的激烈讨论，探索艺术家哈特如何给绘画下定义。评估技术的进步和形象的普及如何影响了绘画也是极为重要的。这将引起当代艺术家工作选择的讨论，尽管很多绘画媒介已经被批评家扔到了一边，这些艺术家仍然坚持绘画。

In order to establish an informed understanding of how contemporary abstract painting is situated in the art world today, this dissertation will investigate how painting has been questioned by artists since the 1960s'. It will discuss how contemporary artists have been influenced by the expanse of the technological world and how they are influenced by or reflect upon this in their paintings. Another important area of discussion will be the work of contemporary artists whose abstract paintings don’t appear to have adapted to technological change and don't seem to reflect transformations in contemporary culture. These are painters who are still continuing to create paintings about paint itself and are exploring what can be done with the material alone.

It is important for this dissertation to begin by defining the modernist art movement and the arrival of creative thinking that brought abstract painting into history. The theories thoughts and ideas of critic Clement Greenberg will be discussed in order to set into context the work of abstract painting. Greenberg was an influential art critique during the twentieth century, who introduced an abundance of ideas into discussion around painting from the 1930s. In particular this dissertation will address Greenberg's statements about the importance of purity and flatness in modernist painting. The dissertation will then examine how the supposed end of painting provoked discussion in the1960s, addressing how the artist Ad Reinhardt explored painting's definitions. It will also be important to assess how the advances in technology and the popularisation of image have affected painting. This will then lead into a discussion about the work of a selection of contemporary artists who have continued to make paintings after the medium was pushed aside by critics.

What has always developed the medium of painting is not only the artist's individual passion and enthusiasm to explore the vast possibilities of using paint, but also the artist's interest in displaying their conceptions, thoughts and feelings visually. Artists have repeatedly attempted to push their practice to new levels, break boundaries, and depict their Philosophy through the use of paint. The communication between an artist engaging with a painting and the painting's audience interpreting the artist's intentions or making an interpretation of their own creates a unique language of painting. It is this language that poses questions about painting and its context within contemporary culture and history. These questions will be evaluated in this dissertation in order to establish if and how abstract painting has developed since modernism.

Gerhard Richter (b. 1932) is a significant artist of both the twentieth and twe本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。