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wont be interested in his abstract paintings. His responds to this was that this type of artwork puts him in a trap, because the public are used to seeing his realist better-known paintings. He is worried that his abstract works will look like mere scribbles to the public. 72 It is interesting that

Richter challenges Greenberg's enthusiasm towards pure painting. page 93 through his abstract 'cage paintings' These could be viewed as purist modernist style paintings purely about the flat colour and form however in a letter to Benjamin H.D. Buchloh in may 1977 Richter says that

'what makes me sick above all is when the describers build that up as 'pure painting', completely denying the value of the object. Firstly I have said pure painting -if it could ever exist- would be a crime and secondly, these pictures are valued solely and uniquely for their stupid bumptious object content. This naturally includes the effective recording of the painter's blind, ferocious motor impulse, as well as the maintaining of a semblance of intelligence and historical awareness through the choice and invention of motif. page 93 t

This twists the paintings that are so important to him which he says ' I have nothing to say and I am saying it' twisting it round into ' we have nothing to say and we are not saying it' these purist ideas are like that of Greenberg's modernism and this shows Richter's progressive development in thinking since then.

Richter is still practicing the painting today. Since the 1960s technology has advanced even further, we are in a time in the western world where the internet is in almost everybody’s home the digital has taken over and the influence on painting has developed it further. The next chapter discussed the work of younger contemporary artists who are creating paintings in contemporary practice.

Chapter Three: The Work of Younger Contemporary Artists.

The artist Fiona Rae became in the public eye during the 1990s with her use of colour shape , flatness of the picture plain hybrid use of technology with paint Fiona Rae. Does her work loose something because it makes it easier to understand because of the figurative elements or is it just more pleasing to the eye and less confusing? Or maybe they add to the confusion. Or the confusion gives it more meaning? It's all in personal perspective when looking at the canvas. Greenberg purity in painting mentioned earlier. Absence of form gives s a painting more meaning. What Paint does in contemporary art above all mediums are engaged with the material and has a language of it own. The purity of painting describes of an earthly medium playing with the material ruined by technology? Artists who use Photoshop what does this do to painting? Fiona Rae. Compare to Nicholas May…

Digital looses the genuine experimental element tried and tested on the computer. Visually biased not a true record of thought with paint. First see it on the comp then try and replicate it. Not learn from it adjust it and edited on canvas till it is how the artist feels it should be. Maybe then the computer is the record of thought a technological one less about the material itself but about the colour and shape and tha本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。