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Subsequently, the third chapter primarily examines the approach Ando took in his effort to interpret Japanese aesthetics for his search for authenticity in Japanese architecture.

Moving on to the forth chapter, this study argues, for the first time, that the fundamental key to understanding Ando’s capacity for abstraction of a Japanese architectural identity is found in the aesthetics of wabi-sabi. The argument is illustrated by a comparison of his works in Japan with significant Japanese architectural precedents.

In many ways this is a daunting task, as Ando’s works are plentiful and scattered all across the islands for comprehensive analysis in one study. Hence out of his large body of works, this study zooms into his designs for public and religious buildings in and around two major Japanese cities: Osaka and Tokyo. The former, which he refers to during an interview, as ‘my city’, and the later, ‘the city I adore’ Kushida, . Through first hand site visits, these works are examined and analysed in terms of design approach, reference, and image.

Finally, the study concludes with discussions on how contemporary architects in Asia can or may have apply abstractive approaches, similar of Ando’s abstraction of Japanese aesthetics, to create a built environment flowing out of a critical interchange with its history.

Architectural Identity, Modernism, and Critical Regionalism.“We can easily now conceive of a time when there will be only one culture and one civilization on the entire surface of the earth. I don’t believe this will happen, because there are contradictory tendencies always at work – on the one hand towards homogenization and on the other towards new distinctions.”

Architectural Identity.Humanity, throughout most of history, constantly yearns for a sense of attachment to geographical regions they belong to. This affinity leads to an ideal that any region which one belong to should has its own special character to distinguish it from other places. ‘Identity’ is the word most commonly used. ‘Regional identities’, or ‘regionalism’, as an architectural concept, has been manifested during the times of Romans. This is evident when regional variations are extensively discussed in Vitruvius’ last century B.C. treaties ‘De Architectura’ Ten Books on Architecture. The Romantics further propound picturesque regionalism during the th and early th century. Nesbitt 

However, apart from the above examples, regional identities often occur without conscious endeavour prior to the fifteenth century. Watson : argues that this is mainly due to the vernacular processes through which most buildings were produced. Also, the fact that transport limitations ensured most buildings had to be constructed from locally sourced materials; whilst limited understandings of structural principles and cons本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。