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摘要：本文是一篇音乐学留学论文。披头士乐队代表了一个世纪的音乐成就，对20世纪音乐流派的发展和音乐形式的多样性产生了巨大的影响。他们处于摇滚音乐盛行的时代，与20世纪其他的摇滚乐队相比，介绍了更多创新性的流行音乐，他们只做属于自己的最好的音乐，他们只做最受欢迎的音乐作品。本文主要对披头士的摇滚音乐进行了简单介绍。充满激情四射的想象力和实践性,披头士仅仅抓住1964年所倡导的国际质量意识,并在接下来的六年里从不放手,在音乐包装所体现的创造力方面始终保持领先,但从来没有失去他们的沟通能力，即使大众的思想和审美变得日益复杂。“1970年他们离开乐坛后的数十年内，他们的摇滚音乐特点仍然未受到挑战，在乐坛上的地位仍然没有动摇”(詹森,劳埃德·2005)

sound collage or musique concrète on a pop music release was virtually unprecedented. The recording began as an extended ending to the album version of Revolution, to which were added vocal and music sound clips, tape loops, and sound effects influenced by the musique concrète styles of Karlheinz Stockhausen and John Cage, further manipulated with editing and sound modification techniques (stereo panning and fading). As with Revolution itself, the theme was inspired by the contemporary May 1968 riots in Paris, and 'Revolution 9' was meant to capture the violence of a revolution in progress. At over eight minutes it was the longest track on the album, as well as the longest Beatles track ever officially released.

The work is credited to Lennon/McCartney (as were all Beatles songs written by either composer), though it was primarily the effort of John Lennon. George Harrison, Ringo Starr, and Yoko Ono made small contributions, while Paul McCartney did not actively participate in the track's creation. Ono's avant garde influence on Lennon's songwriting and composition is clear throughout 'Revolution 9.'

“McCartney and producer George Martin fought hard to keep the track off the White Album, but Lennon and Ono won out, and the track was included as the second from last song at the end of the album's fourth side.” (Corliss, 2004)

Revolution 9 played an important part in the infamous 'Paul is dead' controversy. If one listens carefully, the 'babble', many believe, includes hints left by the band about Paul's alleged death. These include the repeated 'Turn me on, dead man', 'I buried Paul, dead man, dead man' and 'Let me out!'. As the 'Paul Is dead' rumours were quickly debunked, these 'clues' are creative misinterpretations of 'Revolution 9', and are an interesting footnote to the Beatles' history.

Los Angeles District Attorney Vincent Bugliosi and Manson Family member Susan Atkins came up with the theory that Charles Manson believed that 'Revolution 9' was a Reference to Revelation 9, a book in the Bible that speaks of apocalypse and prophecy. He believed the Beatles were speaking to him through this song, and he drew many odd interpretations from the lyrics.

“Why the Notion that the Beatles Changed the World is a Misconception The Beatles had a minimal effect on the world's course of events.” (Corliss, 2004)

They jumped on the hippie bandwagon at the perfect time to capitalize from it. Their fame did not reach as far nor did not unify as much as some people would think and they are merely an icon through which baby-boomers reminisce about the 'good old days'. The Beatles are credited with touching off the revolution of the sixties. In reality, it was the hippie era that influenced them. They knew that it was something that the kids were becoming interested in. The next plan of action was to create the illusion to the masses that they were part of something bigger. This worked well and still does with the teen who are especially susceptible to becoming swept up.

Through this, they were able to sell more records than imaginable. They made their profit from selling philosophy. Many people claim that the Beatles won worldwide fame. Even John 本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。