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加拿大硕士留学生作业—披头士摇滚音乐的黄金时代 [6]

论文作者:www.51lunwen.org论文属性:硕士毕业论文 thesis登出时间:2014-08-01编辑:felicia点击率:14714

论文字数:6718论文编号:org201407312154197352语种:英语 English地区:中国价格:免费论文

关键词:披头士乐队摇滚音乐Rock MusicmythicRelentlessly imaginative

摘要:本文是一篇音乐学留学论文。披头士乐队代表了一个世纪的音乐成就,对20世纪音乐流派的发展和音乐形式的多样性产生了巨大的影响。他们处于摇滚音乐盛行的时代,与20世纪其他的摇滚乐队相比,介绍了更多创新性的流行音乐,他们只做属于自己的最好的音乐,他们只做最受欢迎的音乐作品。本文主要对披头士的摇滚音乐进行了简单介绍。 充满激情四射的想象力和实践性,披头士仅仅抓住1964年所倡导的国际质量意识,并在接下来的六年里从不放手,在音乐包装所体现的创造力方面始终保持领先,但从来没有失去他们的沟通能力,即使大众的思想和审美变得日益复杂。“1970年他们离开乐坛后的数十年内,他们的摇滚音乐特点仍然未受到挑战,在乐坛上的地位仍然没有动摇”(詹森,劳埃德·2005)

ir final concert of that American tour (in San Francisco on August 29, 1966) would be their last in front of a paying audience, as the group decided to stop playing live in order to concentrate on their studio recordings.


This was a radical and unprecedented step in 1966, and the media was rife with speculation that the act was breaking up, especially after all four spent late 1966 engaged in separate personal and artistic pursuits. The appearance of the 'Penny Lane'/'Strawberry Fields Forever' single in February 1967 squelched these concerns. Frequently cited as the strongest double A-side ever, the Beatles were now pushing forward into unabashedly psychedelic territory in their use of orchestral arrangements and Mellotron, without abandoning their grasp of memorable melody and immediately accessible lyrical messages.


Sgt. Pepper, released in June 1967 as the Summer of Love dawned, was the definitive psychedelic soundtrack. Or, at least, so it was perceived at the time: subsequent critics have painted the album as an uneven affair, given a conceptual unity via its brilliant multi-tracked overdubs, singalong melodies, and fairy tale-ish lyrics. Others remain convinced, as millions did at the time, that it represented pop's greatest triumph, or indeed an evolution of pop into art with a capital A.


“In addition to mining all manner of roots influences, the musicians were also picking up vibes from Indian music, avant-garde electronics, classical, music hall, and more. When the Beatles premiered their hippie anthem 'All You Need Is Love' as part of a worldwide TV broadcast, they had been truly anointed as spokespersons for their generation , and it seemed they could do no wrong.” (Jansen, 2000)


Musically, that would usually continue to be the case, but the group's strength began to unravel at a surprisingly quick pace. In August 1967, Brian Epstein - prone to suicidal depression over the past year - died of a drug overdose, leaving them without a manager. The group pressed on with their next film project, Magical Mystery Tour, directed by themselves; lacking focus or even basic professionalism, the picture bombed when it was premiered on BBC television in December 1967, giving the media the first real chance they'd ever had to roast the Beatles over a flame. In early 1968, the Beatles decamped to India for a course in transcendental meditation with the Maharishi; this too became something of a media embarrassment, as each of the four would eventually depart the course before its completion.


The Beatles did use their unaccustomed peace in India to compose a wealth of new material. Judged solely on musical merit, The White Album, a double LP released in late 1968, was a triumph. While largely abandoning their psychedelic instruments to return to guitar-based rock, they maintained their whimsical eclecticism, proving themselves masters of everything from blues-rock to vaudeville. As individual songwriters, too, it contains some of their finest work (as does the brilliant non-LP single from this era, 'Hey Jude'/'Revolution').


The problem, at least in terms of the group's long-term health, was that these were very much individual songs, as opposed to collective ones. Lennon论文英语论文网提供整理,提供论文代写英语论文代写代写论文代写英语论文代写留学生论文代写英文论文留学生论文代写相关核心关键词搜索。

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