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g would grow much worse over the next few years. At the end of 1970, McCartney sued the rest of the Beatles in order to dissolve their partnership; the battle dragged through the courts for years, scotching any prospects of a group reunion. In any case, each member of the band quickly established viable solo careers. In fact, at the outset it could have been argued that the artistic effects of the split were in some ways beneficial, freeing Lennon and Harrison to make their most uncompromising artistic statements (Plastic Ono Band and All Things Must Pass). George's individual talents in particular received acclaim that had always eluded him when he was overshadowed by Lennon-McCartney.

Paul had a much rougher time with the critics, but continued to issue a stream of hit singles, hitting a commercial and critical jackpot at the end of 1973 with the massively successful Band on the Run. Ringo did not have the songwriting acumen to compete on the same level as the others, yet he too had quite a few big hit singles in the early '70s, often benefiting from the assistance of his former band-mates.

Yet within a short time, it became apparent both that the Beatles were not going to settle their differences and reunite, and that their solo work could not compare with what they were capable of creating together. The stereotype has it that the split allowed each of them to indulge in their worst tendencies to their extremes: Lennon in agit-prop, Harrison in holier-than-thou-mysticism, McCartney in cutesy pop, Starr in easy listening rock. There's a good deal of truth in this, but it's also important to bear in mind that what was most missing was a sense of group interaction. The critical party line often champions Lennon as the angry, realist rocker, and McCartney as the melodic balladeer, but this is a fallacy: each of them were capable, in roughly equal measures, of ballsy all-out rock and sweet romanticism. What is not in dispute is that they sparked each other to reach heights that they could not attain on their own.

Despite periodic rumours of reunions throughout the 1970s, no group projects came close to materializing. It should be added that the Beatles themselves continued to feud to some degree, and from all evidence weren't seriously interested in working together as a unit. Any hopes of a reunion vanished when Lennon was assassinated in New York City in December 1980. The Beatles continued their solo careers throughout the 1980s, but their releases became less frequent, and their commercial success gradually diminished, as listeners without first-hand memories of the combo created their own idols.

The popularity of the Beatles-as-unit, however, proved eternal. In part, this is because the group's 1970 split effectively short-circuited the prospects of artistic decline; the body of work that was preserved was uniformly strong. However, it's also because, like any great works of art, the Beatles' records carried an ageless magnificence that continues to captivate new generations of listeners. So it is that Beatles records continue to be heard on radio in heavy rotation, continue to sell in massive quantities, and continue to be covered and quoted by rock and pop artists through the present day.

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