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Suggested Reading:
• Moir, L. ‘What do we mean by Corporate Social Responsibility’, (2001)  Corporate Governance: International Journal of Business in Society, Volume 1, Number 2, 16-22(7)
• Chapter 5 in Dine
• Chapters 19, 20 & 21 in Sullivan

 Indicative bibliography

1. Alston, P. Non-State Actors and Human Rights, (Oxford, OUP, 2005).
2. Clapham, A. Human Rights Obligations of Non-State Actors (Oxford, OUP, 2006).
3. Rehman, J. International Human Rights:  A Practical Approach (London, Longman, 2002).
4. Wallace, R.M.M. International Human Rights: Text & Materials, 2nd ed. (London, Sweet & Maxwell, 2001)
5. Ghandi, P.R. International Human Rights Documents, Blackstone’s Statute Books, (Oxford: Oxford University Press, 2004).
6. Steiner, H.J., et al. International Human Rights in Context (Oxford, OUP, 2008).
7. Freeman, M. Human Rights (Cambridge, Polity Press, 2005).
8. Davidson, S. Human Rights (Buckingham, Open University Press, 1993).
9. Dine, J. Companies, International Trade and Human Rights (Cambridge, CUP, 2005).
10. Bottomley, S., Kinley, D. Commercial Law and Human Rights (Aldershot, Ashgate Publishing Limited, 2003).
11. Sullivan, R. Business and Human Rights (Sheffield, Greenleaf Publishing Limited, 2003).
12. Bottomley, S. The Constitutional Corporation (Aldershot, Ashgate Publishing Limited, 2007).

Useful websites

https://www.un.org
https://www.unhcr.ch
https://ww.icrc.org
https://www.business-humanrights.org
https://www.eldis.org/static/DOC13036.htm
https://europa.eu.int/comm/employment_social/soc-dial/csr/
www.globalcompact.org
https://web.amnesty.org
https://www.undp.org
https://www.ilo.org
https://www.un.org/law/AVLpilotproject/intro.html

4  Adaptation
Screening: Bride and Prejudice (Gurinder Chadha, 2005) – India/UK/US

Core Reading
Austen, Jane (1813), Pride and Prejudice (any edition is fine but available online to read too)

If You Have Time Reading
Chatman, Seymour (1980), „What Novels Can Do That Films Can‟t (and Vice Versa)‟, Braudy, Leo and Marshall Cohen (2004), Film Theory and Criticism. 6th Edition. London: Oxford University Press. 445-460.

Further Reading
Andrew, Dudley (1984), Concepts in Film Theory. Oxford: Oxford University Press.
Excerpt available in Braudy, Leo and Marshall Cohen (2004), Film Theory and Criticism. 6th Edition. London: Oxford University Press. 461-469.
Bignell, Jonathan (ed.) (1999), Writing and Cinema. Harlow: Pearson Education.
Cardwell, Sarah (2002), Adaptation Revisited: Television and the Classic Novel. Manchester: Manchester University Press.
Cartmell, Deborah (ed.) (1996), Pulping Fictions: Consuming Culture Across the English-Media Divide. London: Pluto Press.
Cartmell, Deborah (ed.) (2000), Classics in Film and Fiction. London: Pluto Press.
Cartmell, Deborah, and Imelda Whelehan (eds.) (1999), Adaptations: From Text to Screen, Screen to Text. London: Routledge.
Cohen, Keith (1979), Film and Fiction: The Dynamics of Exchange. London: Yale University Press.
Hayward, Susan (2000), Cinema Studies: The Key Concepts. London:
Routledge.
Higson, Andrew (ed.) (1996), Dissolving View本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。