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论文作者:www.51lunwen.org论文属性:本科毕业论文 Thesis登出时间:2014-08-26编辑:felicia点击率:18860
论文字数:6755论文编号:org201408211411005129语种:英语 English地区:中国价格:免费论文
关键词:杰克·凯鲁亚克文学运动生活方式在路上Jack KerouacBeat Generationliterature movement
摘要:本文是一篇英国文学毕业论文。杰克·凯鲁亚克引领了“垮掉的一代”的文学运动,并将此运动推向高潮,这场运动不仅对于文学领域是极为重要极为有意义的,而且与音乐和促进个人发展的视觉艺术紧密相关。本文对凯鲁亚克进行了紧要的分析,并探讨了当时的生活方式和盛行思想。
'Farewell Sur-
Didja ever tell him
about water meeting water-?
O go back to otter-
Term-Term-Klerm
Kerm-Kurn-Cow-Kow-
Cash-Cac'h-Cluck-
Clock-Gomeat sea need
be deep I see you
Enoc'h
soon anarf
in Old Britanny
Say yes. Say yes to the sea. Say yes to chaos. Say yes to eternity. Say yes and let it all go. Go, go... to the sea. To the waiting open arms of the sea. You and me... you and me... the sea. Yes. Let us be. There is light.”
Reflections are also the assertion of the horizontal. In spite of the violence metaphorically wrought, and acknowledged by his writing, Kerouac's work is concerned with empowering the natural within the man. The vigorous negation of comfortable feminine origination in his poetry refuses to allow the implied horizontality of the original sheet of paper to be wholly superseded, and in effect suppressed, by the verticality of the outside world. Psychoanalysis works through poetry subliminally, appealing to the subconscious by encoding itself in visual puns like reflections.
3. Missed Beats – Misunderstandings and misnomers
It has been claimed that, for at least one definition of the word, Kerouac was not a “Beat” at all. Mayer writes,
“A “keen observer rather than a confident insider,” Kerouac never really was a member of the Beats though he was among them from the beginning and as a chronicler cast their emergence into prose. When Daniel Belgrad remarks that Kerouac “would attend parties only to sit silently in a corner, listening intently to the multiple conversations and noting them down in his memory,” he is in line with a comment by Ginsberg, “I guess [Kerouac] felt more like a private solitary Melvillean minnesinger or something.”
“Subterranean Kerouac”, a biography by Ellis Amburn, develops the oedipal theme in his work, referring notably to his “dream-fear of homosexuality.” Claiming that Kerouac became a “homophobic homoerotic” by the early nineteen forties, Amburn insists that in the fifties, while an increasing misogyny came to pervade writings like Some of the Dharma, “his homophobia was increasing in direct proportion to his homoerotic activity.
, ” a development which might have been facilitated at least partially by Kerouac's worsening dependency on alcohol.
Kerouac is known as the king or the speaker of the beat generation and his writings are probably the most widely read works for anyone studding the beat culture, but there is real evidence that he resisted the title of “King”, particularly the patriarchal overtones. Even in 1952, John Clellon Holmes's book “Go” presents Kerouac as Gene Pasternak, railing against “all that free-love stuff, that liberal bohemianism, between friends.” Kerouac's 1958 novel “The Subterraneans” features a narrator whose sexual hang本论文由英语论文网提供整理,提供论文代写,英语论文代写,代写论文,代写英语论文,代写留学生论文,代写英文论文,留学生论文代写相关核心关键词搜索。