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论文作者:www.51lunwen.org论文属性:本科毕业论文 Thesis登出时间:2014-08-26编辑:felicia点击率:18862
论文字数:6755论文编号:org201408211411005129语种:英语 English地区:中国价格:免费论文
关键词:杰克·凯鲁亚克文学运动生活方式在路上Jack KerouacBeat Generationliterature movement
摘要:本文是一篇英国文学毕业论文。杰克·凯鲁亚克引领了“垮掉的一代”的文学运动,并将此运动推向高潮,这场运动不仅对于文学领域是极为重要极为有意义的,而且与音乐和促进个人发展的视觉艺术紧密相关。本文对凯鲁亚克进行了紧要的分析,并探讨了当时的生活方式和盛行思想。
over flames of woodfire
with grease dropping in smoke
to brown and blacken
the salty hotdogs,
and the wine,
and the work on the railroad.”
The desire to identify with the origin, whether through disturbing the water, impersonating the father, or labouring to represent oneself to oneself, may always end in action, but it is only ever the action of wrenching open the facture of desire. The impulse to create will always be driven by a lack, and Kerouac is most conventionally “Realist” when he recognises this. Kerouac, after all, is aiming to reorganise an imbalance of power, and to characterise a sense of the monadic “other”.
Philosophically, Kerouac's work is incredibly resistant to the Other, to the point that he scarcely needs the anterior of an audience. In spite of his evident veneration of the “Natural”, the world beyond that of writing/reading is so unbearable that Fried has trouble imagining it, levelling the differences between interiors and exteriors and converting all mimetic imagery into narratives of action or narratives of material: surfaces to be read. To the extent that it is a self-sufficient sign-system (and I am arguing it is far more than this) Kerouac's work evacuates the reader and effectively “reads itself”. It fits Derrida's conception of autobiography,
“My written communication must…remain legible despite the absolute disappearance of every determined addressee…for it to function as writing…to be legible. It must be repeatable, iterable, in the absolute absence of the addressee” Again, this supported by the assertions of one anonymous online Kerouac archivist,
“Almost everything he wrote was autobiographical. Like Thomas Wolfe, he saw writing as identical with introspection. The word 'fiction' does not really describe his work. It was more like self-directed psychoanalysis, except that his outlook was more religous and tragic than psychological. His books are crowded with his friends, lightly disguised behind new names. Allen Ginsberg, for instance, appears variously as Carlo Marx, Adam Moorad, Irwin Garden, Leon Levinsky and Alvah Goldbrook. Late in his life, Kerouac even considered publishing a unified edition of all his works, with all the characters representing himself appearing under a single name, Jack Duluoz (French for 'Jack the Louse').”
This homogenising impulse, the need to resist difference and integrate everything, drives the rhetorical case which Kerouac makes in an attempt to show that outdoor scenes are actually the same as indoor ones. It is affected spontaneity of language which Fried cites as the connection between the inner and the outer. Indoor and outdoor scenes are treated as having the same character and affect, to the extent that they have a rhythm and no inherent narrative. Kerouac's holistic ambition repeats itself on every level- here the very scene of representation is moulded by the realist theory. The internal and external scenes, like the internal and external levels of a psyche, become one, as they are united in common, necessary pain, of the disfiguring theoretical intervention.
Applying psychoanalysis to Kerouac, this does loo本论文由英语论文网提供整理,提供论文代写,英语论文代写,代写论文,代写英语论文,代写留学生论文,代写英文论文,留学生论文代写相关核心关键词搜索。