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论文作者:www.51lunwen.org论文属性:作业 Assignment登出时间:2015-01-18编辑:Cinderella点击率:7027
论文字数:3231论文编号:org201501072129339560语种:英语 English地区:英国价格:免费论文
摘要:后现代主义,真的存在吗?表示的是什么?它是一种做法还是一种概念?本文对后现代主义进行了深入探讨。
Why classical modernism is the thing of the past and why postmodernism has taken its place because it’s the end of individualism. As great modernism were the finger print of individuals, but now individualism and personal identity is the thing of the past, in fact there are two positions to all of this, the first one is, in the past, where classic age of competitive capitalism, emergence of the bourgeoisie as the hegemonic social class, in the heyday of the nuclear family there was individualism as individual subjects but now in the age of corporate capitalism that older bourgeois individual subject no longer exists.
The second position to this is that there was no bourgeois individual subject of the past, it never really existed in the first place, rather it is merely a philosophical and cultural mystification which sought to persuade people to believe that they had individual subjects and possessed this unique personal identity.
Importance is not to decide which of these positions is correct, that is not the point, the point is that we have to acknowledge from this is rather an aesthetic dilemma, if the ideology of the unique self is an experience and the ideology that informed the practice of classical modernism that is over and done with, then it makes it that is no longer clear what artists and writers of the present are suppose to be doing. Only thing is clear that the older models like PICASSO, PROUST and T. S. ELIOT, since no one has that kind of unique style and world to express than What is the odds of artists and writers of the present day inventing new worlds and styles that haven’t been invented before, as the most unique ones already have been though, only a limited number of combinations are possible.
So that a new stylistic innovation is no longer possible, all that is left to pastiche dead styles. This means that the postmodern or contemporary art is to be about art itself, so that one of its essential messages will include necessary failure of art and the aesthetics.
Now let’s look in to the works of and the man its self so called the “Leonardo” and procreative “Grandpa” of postmodernism, authoritative source of postmodern art, Marcel Duchamp. Marcel Duchamp has inspired younger artists in their critique of Greebergian modernism and the modernist institution of art.
Here are some of the sayings about the artist himself;
“Marcel Duchamp is all but impossible to write本论文由英语论文网提供整理,提供论文代写,英语论文代写,代写论文,代写英语论文,代写留学生论文,代写英文论文,留学生论文代写相关核心关键词搜索。