英语论文网

st artist Helen Chadwick (1954-1996) made many works that dealt directly with the role and image of women in society. In 'Ego Geometria Sum:The Laborers X' created in 1984, she had large replicas of children's wooden bricks transposed with images of her naked self. One may read many meanings into this artwork: is Chadwick struggling with the weight of her own image? By superimposing her naked image onto a child's brick, is she suggesting that she is nothing but a plaything, a toy? She appears to compare herself to a troll doll, held by the hair in a disembodied fist with an inane grin on its face. The troll doll is ugly and deformed looking, and Chadwick is implying that this is how society views her, and womanhood in general, from childhood onwards, if one does not conform to how society wishes one to be. All is not without hope though; Chadwick also portrays a door on one side of the brick, suggestive not only of closure, but also of the potential to open, to allow something in, or something out; a means of escape. As a Jungian archetype, the door also is representative of the feminine, with all the implications of a symbolic opening. In this artwork, is Chadwick exploring issues of entrapment and escape?

Several of her works address the role and image of women in society using a wide range of materials, such as flowers, chocolate and meat. She questioned the role of the female body in art as a decorative object; just as decorative and aesthetic ideas about art themselves had been questioned in the 20th century. In 1990, she worked again on themes of sexual identity and gender with her Cibachrome transparencies entitled 'Eroticism' which depict two brains side by side.

On the surface, this is yet another apparently simple, if stunning, piece of work, but like the brain itself, this piece contains a multiplicity of layers, waiting to be explored and teased out. The work shows two brains, side by side, mirroring each other. On the sides adjoining, the brains are enlivened by what appears to be blue sparks, or flashes, suggesting brain activity. According to The Wordsworth Dictionary of Symbolism, blue is the colour of the intellect, and of spirituality; it is the medium of truth. In Eroticism, Chadwick is playing with the idea of 'a meeting of two minds', an attraction based on the intellect and the emotions. Yet we also associate the colour blue with something a little bit naughty, a bit risque, like a 'blue movie', and I would suggest that Chadwick was also bearing in mind the idea that the brain is often referred to as the largest sexual organ in the body. For Chadwick, in this piece at least, it is the attraction of two people based on a meeting of intellect and commonality that is important, not the outward appearance so vital to society.

In the 1790s, when Mary Wollstonecraft was writing A Vindication of The Rights of Women , she argued for the need for more civil rights for women, a cause which she believed could only be achieved by permitting women a better education. She argued that a woman was capable of any intellectual feat that a man was provided with and that her early training should not brainwash her into deference to men. Wollstonecraft believed that men discourage women from achieving the same education that they receive routinely, and as long as women are denied this education, they can never hope to achieve equality wit本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。