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托尼·莫里森的民族忧患意识:《柏油娃娃》中的黑人文化身份重构 [4]

论文作者:留学生论文论文属性:硕士毕业论文 thesis登出时间:2024-03-14编辑:vicky点击率:359

论文字数:46555论文编号:org202403131020233060语种:英语 English地区:中国价格:$ 66

关键词:英语论文格式硕士论文格式

摘要:本文是一篇英语论文格式,本文以后殖民主义理论为指导,聚焦《柏油娃娃》中黑人文化身份重构失败以及这一失败对个人、乃至整个黑人民族发展可能产生的影响,由此进一步挖掘莫里森的民族忧患意识和她身为作家的社会责任感,揭示文学作品之于社会发展的重要意义。

h more toughly and bravely than the white whenevernecessary.For example,when Valerian is strongly disinclined to accept the fact that hiswife is abusive to their son,which has paralyzed him,it is Sydney who takes over thewhole house and keeps it in order.As the narration goes,he does not want to do so,butif his white employer is not going to run things,and all the world seems as though it ishorrible,he will(McKay&Morrison,1983:423).Morrison herself praises Sydney as“in the jargon of the seventies,a good Uncle Tom”(McKay&Morrison,1983:423)inan interview.She admires the relationship between Ondine and Sydney since there isthe trust,touching and tender.In contrast,Candy King Valerian only concerns hisretired life,barely cares for his wife and son.Eventually the guilt of innocenceoverwhelms him.The Maine Beauty Margaret is too young to be a qualified mother.Her life is filled with the void and meaninglessness.Based on the comparison,Ondineand Sydney display some shining points in their personality.

Conclusion

Morrison once said that“cultural identities are formed and informed by a nation’sliterature”(Morrison,1992:39),so throughout Toni Morrison’s literary career,it can beobserved that her novels focus upon the issues of self and cultural identity of AfricanAmericans.In The Bluest Eye,Pecola’s tragic self-destruction is a cautionary notecritical of the blind internalization of the Western values,which results in theirreversible effects on the self-perception of young black girls.In Sula,Morrisonprovokes the thought about how the black women,being marginalized in gender as wellas in race,are capable of bearing their responsibility without sabotaging themselves.Song of Solomon is a miniature of how the black man characterized by Milkmanrediscovers the cultural heritage,who finds out where he belongs and who he is throughreconciling with and reclaiming a lost past or a lost African home.

Tar Baby occupies a prominent position in Morrison’s exploration into this issue.All the main characters in this novel,including Son,Jadine,Ondine and Sydney,sufferfrom the waterloo in the process of reconstructing their cultural identities,but thereasons why they fail are various.For Son,the purity of his blackness distinguisheshimself from the white people,and it is what he cherishes most and perfectly preservesfrom the outsiders.On account of such adherence to the originality of the ethnic cultureand a simple return to the past,Son develops xenophobia and hostility towards the whiteculture,which freezes his cultural identity into a fixed and predetermined position,further results in hindering his personal development.On the contrary,Jadine is deeplyinfluenced by the Western education so that she establishes a sense of identificationwith the white world in psychology,and gradually drifts away from the ancestral culture.She abandons the traditional ethnic properties in order to fulfill her self-reliance,“butthe people who are connected to the Afro-American tradition or the African tradition aregenerally the ones who are the wholesome track”(Brown&Morrison,1995:461).

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