英语论文网

The Internet Movie Database 1999), which grant a rich experience of indigenous cultures and these too would have to be funded by the country in some way. A prime example in Canada would be the dramatic television series North of 60 which still airs today (although in re-runs) on CBC was granted 6 seasons (90 episodes, each 60 minutes long) and 5 made for TV movies and had lasted a total of 6 years (1999 - 2005) (The Internet Movie Database 1999) which is close to, if not more than, many shows that are brought forth by western cultures such as Corner Gas (6 seasons, 107 episodes) and even the original Star Trek series (3 seasons, 80 episodes) (The Internet Movie Database 1999). Therefore this claim made by Glynn and Tyson, although appropriate for some countries and New Zealand itself at that time, is not the soundest claim to make as it is, as shown, not the case for other countries in the world. This funding issue in indigenous media leads to a very interesting aspect of the article where Glynn and Tyson make note of both glocalization and globalization as also having a positive effect on the culture instead of a purely destabilizing effect.

 Glocalization, which is the combination of global ideologies with that of more local ones, (Straubhaar et al 2009, 113) as a positive reinforcement of indigenous culture is an interesting factor in this article. The authors introduce an efficient example of glocalization's benefits with a Maori television drama called Mataku. (Glynn and Tyson 2007, 207) With the creation of this television drama the indigenes are able to present their culture and beliefs not only to their own people, in order for preservation, but with the addition of English subtitles and a supernatural theme (which are present and popular in many western programs such as X-files), (Glynn and Tyson 2007, 206) the indigenes are able to incorporate a more global population and allow their culture to be better understood and be preserved through all populations. The reference to this television show shows without a doubt that by mixing together popular ideologies from different cultures into one main idea creates common ground for both cultures to share which not only benefits the indigenous of the land but also all other populations who share in the common interests that these programs present. To refer back to Glynn and Tyson's issues surrounding funding for indigenous media, this idea of glocalization also plays against their negative outlook on globalizations effect. By creating this common or middle ground of media it would make sense that by drawing in more of an audience outside of the intended group with popular and mystifying themes such as the supernatural (in Mataku's case) these shows would link up with similar westernized media and the demand would hopefully grow. With the growth of demand comes more funding as more people will want to see new episodes. This point is brought forth exceptionally by Glynn and Tyson when referring to the Maori co-creators of the series Mataku, Bradford Haami and Carey Carter (2007, 207). This is done by pointing to Ginsburg's coined term border-crossers, which is the ability to cross between two different cultures (in this case western and Maori cultures) and present their messages to them both effectively. (Glynn and Tyson 2007, 207) By using this ability and accomplishing the task of border crossing more efficiently and on a more frequent basis, the 本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。