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卡森•麦卡勒斯小说中的音乐-文学媒介间性思考

论文作者:留学生论文论文属性:硕士毕业论文 thesis登出时间:2024-03-31编辑:vicky点击率:289

论文字数:42522论文编号:org202403271139297724语种:英语 English地区:中国价格:$ 66

关键词:英语毕业论文范文硕士论文范文

摘要:本文是一篇英语毕业论文,本文从隐性媒介间性的显隐性方面分别论证了麦卡勒斯的小说模仿音乐。她的小说尝试营造类似于音乐的美学效果,她把对音乐的爱汇入到字里行间中去,展现了她对于南方小镇中少数边缘群体的情感关切以及南方社会在后工业时代变迁的理解和思考。

本文是一篇英语毕业论文,本文借助维尔纳•沃尔夫的媒介间性理论框架,从跨媒介指涉的视角,分析音乐的跨媒介指涉对于小说文本主题意义生成和形式建构的影响和功能,解读音乐与文本的融合如何展现美国南方小镇在后工业时代的微观社会情境和边缘少数群体的心灵困境。

Chapter One The Explicit Indication of Music in Carson McC ullers’ Fiction

1.1 Musical characters with similar fates

McCullers arranges characters involving music in each novel. Most of them are not professional musicians, but music of lovers are fascinated with playing music. Music for McCullers is a tool for creating a narrative atmosphere or delineating the more complex character so as to achieve the readability and variety of the story. Also, one of her novels has a musical name that expresses directly the imitation of music in the literary text. 

There are some musical references in The Heart Is a Lonely Hunter, McCullers’ first novel. Mick Kelly is an underage girl who is fascinated with music. She uses music to escape the marginalized situation and impoverished family. Although she fails at last, the process of fighting is still worth analyzing. The Heart Is a Lonely Hunter, originally titled The Mute, takes its name from the poem The Lonely Heart by William Sharp, “Deep Deep in the heart of Summer, sweet is life to me still, But my heart is a lonely hunter that hunts on a lonely hill. (William 23)” 

Mick Kelly in The Heart Is a Lonely Hunter and Frankie Addams in The Member of the Wedding are the representatives of adolescent women by Carson McCullers. McCullers obviously and repeatedly delineates the similar experience of adolescent girls, especially their acoustic sense of music. They both experience a sense of not belonging in the world and have no ideas of their personal fates or gender choice. Here, McCullers casts her female character Mick in a male role with a male countenance. They both look like young boys with short hair and giant body differs from the other traditional southern girls. 

英语毕业论文怎么写

1.2 Musical discourse and its thematic implication

The discourse level of intratextual thematization covers the meaning of the text by referring to musical effects. Readers seemingly listen to the music on the surface and accept the real meaning of the text. 

Almost every book by Carson McCullers has examples of discourse thematization, here we use the discourse between Jester and Sherman in Clock Without Hands as the typical one. This novel is McCullers’ last one, which is considered to be the most radical one that faces directly to racism in southern society. We can see how racism affects a seventeen-year-old back boy in his mind. 

Suddenly Sherman began to pound on middle C, over and over. “What’s that?” asked Jester, “just middle C?” “How many vibrations are there in the treble?” “What kind of vibrations are you talking about?” “The teeny infinitesimal sounds that vibrate when you strike middle C or any other note.”…Again Sherman pounded middle C, first with the right forefinger, then with the left. “How many vibrations do you hear in the bass?” “Nothing,” Jester said. “There are sixty-four vibrations in the treble and another sixty-four in the bass … I’m just telling you I hear every teeniest vibration in the whole diatonic scale from here…About my race and how I register every single vibration that happens to those of my race. I call it my black book.”(McCullers, Clock,  66)  论文英语论文网提供整理,提供论文代写英语论文代写代写论文代写英语论文代写留学生论文代写英文论文留学生论文代写相关核心关键词搜索。

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