朋克摇滚起源与发展研究 [4]
论文作者:www.51lunwen.org论文属性:学术文章 Scholarship Essay登出时间:2015-07-29编辑:Cinderella点击率:7791
论文字数:2398论文编号:org201507251740479333语种:英语 English地区:美国价格:免费论文
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摘要:本文当中主要研究朋克摇滚的历史与现状:朋克摇滚的起源、进化;给观众带来的影响;如今朋克音乐是否还像历史时期一样具有颠覆性的效果。
s an indistinct and universal term that refers to a period of great change in the western world. Postmodernism is mainly a response to the supposed certainty of technical, or purpose, efforts to explain reality. In real meaning, it stems from gratitude that reality is not purely reflected in human understanding of it, but rather, it is raised as the mind tries to understand its own particular and personal reality. This change refers mainly to an adjustment in thinking and a growth of different views of reality. One of the main factors that shifted this radical change in thinking was the First World War. The war was so shocking and, with modern technology, it changed the awareness of Europeans towards their system which led them to question the powers that be and the organization. For this reason, postmodernism is highly cynical of descriptions which maintain to be suitable for all collections, societies, customs, or races, and instead focuses on the relation realities of each person. In the postmodern understanding, interpretation is everything, reality only comes into being through our understandings of what the world means to us individually. Postmodernism relies on concrete experience over theoretical principles, knowing always that the outcome of one's own experience will necessarily be imperfect and relative, rather than certain and collective.
My analysis therefore expands upon those of other academic who initially revealed the close relationship between punk style, music and postmodern culture at large. Educated interest in punk has focused primarily on the British and New York subcultures of the mid-1970s, my conclusions relate more to the culture of deconstruction than the culture of authenticity, the latter of which emerged principally within the subcultures of California and Washington D.C. during the early 1980s. By comparing these two divergent cultural practices and relating them to the socioeconomic conditions of post modernity, my study reveals that structural transformation creates multiple possibilities for artistic and political response, rather than a simple correspondence between economic base and cultural superstructure.
Although I have not covered all the bands that began or continued the inventive process involved in punk rock I have used an example that definitely made a contribution to the punk rock landscape. The process of invention in punk rock will continue as long as there is a need to continue striving against unjust systems.
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