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room which where most time would be spend here. It took up half the area and the whole height. In the house there were containing the other rooms in the ground floor and first floor which is being divided by the gallery. In the interior, there was a spiral stair which connected the living area level to the sleeping areas. With this it formed a sculptural counterpoint to serve rectilinear geometry of the hollow cube. The creation of interlocking spaces of different but related heights was one of major spatial ideas of Corbusier and it was applied in the Citrohan house in the first development. In all of Le Corbusier's work the idea of two-to-one space has been frequently used for theme ever since Citrohan.

For the other house, an open plan day-time living area was converted into small enclosed sleeping partitioned section at night with creative arrangement design of the movable partitions. In this design was containing Le Corbusier's five points' which were exhibit at the time of the Exposition. First was the using of same material of reinforced concrete for pilotis and floor which raised the house above the ground. It formed a rigid load-bearing skeleton, so it allowed the garden to continue under and trough the building. Second, the roof gardens are used for privacy and also to ensure the humidity level in the concrete structure. Hence it permitting the ground captured by the building to be freed suspended and hanging in the sky. Thirdly, the open plan, due to the very few structural system spaced column which mean do not require the support of closely spaced interior wall. As a result it was permitting free and open interior planning in the organization of partition and other space divisions. Fourth, the horizontal arrangement of ribbon glazing rather than vertical window is to provide a more even distribution of light through the interior of the building with extending from one structural column all the way over to the next one. According to Corbusier this create pockets of gloom next to rectangles of glaring light which unlike the old style window a hole punched into a structural wall. Finally the free facade of exterior walls; for satisfy the functional or aesthetic way it could be opened and closed at will which it released from their load bearing function. These all ideas of architecture were likened to the machine architecture which it is practical machines for living in. This new machine aesthetic led Corbusier to a rationalization of the effect of the machine upon the production of architecture. Corbusier discussed the problems and opportunities with supreme legibility of mass production in building, recognizing that such mass production would mean adherence to certain dimensional standards.

The Modulor

'Architecture is a brilliant, orthodox and original jigsaw puzzle of masses combined in light. Our eyes were created to see the forms in light; light and shadow reveal the forms. Cubes, cones, balls, cylinders and pyramids are primary shapes that light so excellently reveals; the picture they give to us is clear and perspicuous without indecision. That is why they are beautiful forms.' (Vers une architecture 1923) Corbusier look back to the traditional Renaissance rules of measure and a proportional in order to get some guide for the modern unit system. He started to analyze the famous proportio本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。