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摘要：本文是从俄罗斯民间舞蹈看俄罗斯文化的留学论文。俄罗斯舞蹈是俄罗斯人生活的一种方式。俄罗斯民间舞蹈和民间音乐极具表现力和个性特点，使俄罗斯文化成为极具吸引力、魅力的地方，俄罗斯地形险峻多变，气候差异大，横跨欧亚两洲，历史悠久而漫长，在这片神圣的土地上拥有不同的音乐背景和音乐体现方式。本文通过简要介绍俄罗斯民间舞蹈，为读者展现一幅神奇的历史画卷。俄罗斯的舞蹈充满了个性特点，具有极大的表现力。俄罗斯舞蹈是人类活动，构成了人类的所有特性。因此俄罗斯舞蹈存在于这片土地上，连同俄罗斯的术语,谚语,箴言和对话构成了俄罗斯独具特色的民族文化。在俄罗斯,古典芭蕾可以说是俄罗斯艺术文化的一个标尺。没有现代舞蹈的训练,也没有诸如现代学校这样的表演空间。俄罗斯民间舞蹈在民间是极为普遍极为常见的,平民和下层阶级居住在城市边缘(早于彼得规则)。人们的等级的越高，越不会跳舞，但他们可以从舞蹈教练等舞者美轮美奂的表演中享受到乐趣。

y among the ordinary things. La Bayadere is a tragedy that keeps an eye on the sorrows of people in case of love with full of passion, unfaithfulness, separation and death. It talks about the two things together shows a satisfying symmetry. The ability of the musician responds to the effectiveness of both the sides such as dark and light of the human being touches the main demand of the drama. The life of Minkus and the compositions of ballets and the works are poorly diagnosed and documented, thus the proper and right investigation is needed for them to explore the historical and critical material. The studies provided the help of George Verdak of Indianapolis and it made the copes of this material from the collected ballet scores. It continued by his inheritor before her death. Some major contributions gave by a professor who made scores of La Bayadere.

2.4 Partnership with Marius Petipa

The rich success of his work of Don Quixote have taken a part as a major step in the career of Minkus and his first appointment at the imperial Russian theatre in St. Petersburg in the year 1872 as the first court composer of ballet (Degh, Linda, 1965). The death of other choreographer named as Pugni led Minkus to take his place. He became responsible for musical devices as well as library in the Bolshoi theatre. Then he was told to compose music for ballet dance for the opera Mlada. It was commissioned by the director of imperial theatre. Then the projects was ended, Minkus revised prolonged his materials after some years for the development of ballet. That was followed by ballet one after another and Minkus appeared at the Maryinsky and Bolshoi theatre and it was all the choreography of Petipa. The researches have revealed that between the year1869 and 1886, Petipa generated only 4-8 ballets without composing any music by Minkus and that was the important partnership of these two artists.

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Chapter 3- Research methodology

3.1 Introduction

The chapter here explores research methodology used to complete this dissertation. Researcher explores the type of study undertaken at this instance and the approach used for analysing results. The researcher also explores the type of data used in the research and the approach used for the dissertation. The researcher has also explored aims and objectives of the research followed by research questions to achieve these.

3.2 Aims and Objectives

The researcher here aims to understand the concept of Russian folk dance and the reason for conversion of this into Russian Ballet dance. While the objective of this study is to analyse the concept of folk dance in Russia and various types of Russian dances which are famous in the country.

3.3 Research questions

In order to attain aims and objectives of the research, rese本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。