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e seen to be psychologically, emotionally and socially authentic and plausible, while concurrently acting as an integrating mechanism to the plot and to the other cast members. Drawing on his/her own experiences and observations the actor needs to appear spontaneous while using objects in both a symbolic (or metaphorical way) and a literal way (Bandelj, 2003:393).

This, and the “additional use of props to facilitate the portrayal of the situation, are all tied together by the passion of the actor and the pursuit of truth as art imitates life or indeed verisimilitude” (Bandelj, 2003:394).

The quality of the voice has much more to do with the correct training and technique, rather than the singer’s natural endowment, especially later in life as the singer ages.

*The 'W' questions to build a character role (also mentioned in the PowerPoint)

Who?

What?

Where?

When?

Why?

And HOW?

Contributing Elements to Building a Character

Costumes

Lighting

Makeup

Decor

Lastly (though this last consideration is more often implied than stated), it demands an almost religious devotion on the part of an actor, based on… the power of truth in acting (Bandelj, 2003:393).

Possible contributions of the study

To illustrate that the acting training of an prospective opera singer is equally important as the voice training. The results of the study may also have an effect on the training of music students, specialising in singing at the North West University.

The study may lead to the design and production of........... (brei uit)

Owing to the lack of sufficient literature available on the topic this study may also lead to an increase in literature on the skills and requirements for the training of prospective opera singers

Possible challenges

The following possible challenges are predicted:

The scientific field of research with regard to the topics of skills required for opera singers is very limited and the researcher has to rely on old sources of information.

NWU vir goeie voice training, maar weens die feit dat hier nie ‘n dramadepartemente is nie, word hierdie belangrike aspek nie aangespreek nie.

Min tyd vir praktiese toepassing in krusus omdat jy gedruk word om in onderwys te gaan.

Nog uitbrei!

Areas for Future Academic Focus and Research

Is it that singing is simply another musical instrument in an orchestra dedicated to Opera; that is, similar to the lead violin but performing on stage? Perhaps this limited view has been influenced by music and opera schools through the preceding 200 years.

If opera were not presented to an audience as theatre, would the issues of acting be seen only in the light of the performers’ technical skill?

Is the music or voice the vehicle for the drama of the opera?本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。