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stication of the measurement systems used in construction and the complex operations involved. And yet this comes despite containing a multitude of materials steel, glass and reinforced concrete and diverse construction techniques that correspond to their different characteristics.

 

The triangle is the geometric shape that dominates the entire composition. Triangles form the bent parts of the roof coverage, as well as the contours of the openings and the footprint that develops in the interior spaces. Steel plates millimetres thick are used to provide continuous coverage of the -metre long roof. Dal Co. : commended that the components are mounted in such a flawless way that they recall the assembly techniques of the traditional Japanese tea houses.

 

Inside the building, one observes how the concrete surfaces have been treated, like the steel surfaces, with a fluoride coating, whereas the glass frames were inserted in a simpler fashion, with a bare, austere look. The interior also appeared modest in concrete masonry appearance.

 

It is in _ Design Sight, and other spaces in Ando’s works, that one notes the same peaceful, almost desolate spirit of wabi-sabi that informs the design of a teahouse or lonely mountain temple. Apart from warm touches of wooden flooring and nature beyond, every surface of timber, concrete, or steel presents a chilly monotonous hue , . These tonalities can be argued as distinctly Japanese, most apparent in traditional tea-ceremony buildings in silvery roof tiles, grey-weathered boards, neutral plaster and white paper screens.

 

On the other hand, in the reconstruction of Nangakuzan Komyo-Ji temple in small town of Saijo on Ehime Island , Ando conceived the temple as a wooden building, cloaked in delicate light and appearing to float all an expanse of water fed by a spring. The design further emphasises the importance of water as a feature of the landscape and, above all, the choice of wood as a material of construction.

 

Exploring the possibilities that wood can offer to this temple, Ando wrote that“.As I saw it, traditional Japanese wooden architecture was essentially one of assembly, building involved cutting all the pieces of wood and, bit by bit, the construction took form as the various parts came together. I wanted to create a space that represented a return to the origins of wooden architecture, a unique structure composed of diverse parts, each one rich in tension.” Jodidio.

 

One can thus conclude that Ando’s works can often be characterised by an almost religious attention in the choice building materials to create his own ideal kind of space. A maximum care is habitually devoted to the best possible treatment of unfinished concrete in buildings in which he hopes to symbolise nature, leaving only an echo of space as abstract architecture. In other works set in dense urban environment, Ando's preference for 本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。