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Geometrical Compositions

At the same time, Ando employs almost exclusively straight lines and geometric forms. When curves occur in his work, they are in the form of circles or parts of circles. His designs stress floor plan pattern, in which balance between symmetry and asymmetry is important.

Since it prizes the value of abbreviation, Zen philosophy tends to prefer a perfectly empty space to a space that is perfectly complete. The same preference is to be seen in both tea ceremony architecture and in Ando's work.

This is most apparent in _ Design Sight, which consists of two volumes with a path from one side of the triangle that defines the wings and courtyard entrance. At first, one’s glance is drawn in by the folds of the roof, and by the two inclined triangular surfaces. The building looks as if it has been placed under a finely cut piece of metal. A spiral staircase with a triangular footprint connects the upper level to the exhibition space buried two metres into the ground.

In architecture symmetry is commonly perceived as the premise governing the total composition. However, in traditional Japanese architecture, within the whole, asymmetry in individual parts often infuses dynamic into the static totality. One can read this in the floor plans of Katsura Imperial Villa, where the Old Shoin study rooms was extended on two occasions and in a staggered manner . This eventually resulted in a asymmetrical layout often described as ‘geese in flight’ – a formation that maximises the view of the garden and ventilation into the shoins .

As an alternative to symmetry, Ando often creates a restrained distortion by means of lines of sight, light or human motion. For instance, the overriding intention in Ando’s Himeji Museum of Literature is a composition on the basis of balanced asymmetry, as is apparent from the plan, the wall surfaces, and the placement of entrance , .

Judging from the floor plan of the museum, the main building is aligned with the main axis of the complex and is the result of a mutual shift of two cubic volumes, the structure of which is based on a multi-unit grid so that they intersect at a -degree angle. The annexe building’s function is evidently different to that of the main building, which was designed to accommodate both permanent and temporary exhibition. A concrete wall intersects a rectangular glass volume that is formed by three square modules each measuring eleven square metres. A cubic volume made of concrete is then inserted into the body of the glass volume at a degree angle, thereby creating a two-storey entrance hall. One can conclude that the purpose behind this kind of plan seems to be a pursuit o本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。