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This chapter demonstrated Ando’s ability to capture and express the aesthetics of wabi-sabi through his architecture. The varied themes employed to present a Japanese identity: from the considered manipulation of route to a sensitive control of natural light, draw inspirations from the architectural traditions of the country of his origin. In this respect, Ando’s work is of particular relevance because it relates both to elements of Japanese aesthetic and to others more commonly associated with values from the precedents set by modern masters which he visited and learned from. As a result, one might not only look to Ando’s work for inspiration in terms of his development of good architecture, but also as a model of how a historical aesthetic can be reinterpreted in contemporary architecture, as much in a Western as a Japanese context.

Such a process has been shown to enrich and enliven the experience of buildings both traditional and modern. By identifying and describing some of these concepts in relation to Ando’s work and the construct of an architectural identity, it is hoped that the importance of abstract regionalism to all architecture or ‘place making’ might be made more evident.

Conclusion

In resistance to a st century dominated by speed, rapid globalisation brought forward by the internet, Tadao Ando and other ‘abstract regionalist’ and ‘critical regionalist’ in the region offers architecture of the minimal: architecture where ordinariness and the cycles of natural time may be contemplated. While in other parts of the world, one tends to think of minimalism - for example, the minimalism that accompanied modernism - as the removal of superfluous materials and forms, in Japan, that seems to be the contrary. The works from Ando has shown that minimalism in the context of Japanese aesthetics can be derived from a compression of materials and forms whose sensation and effect could only be detected only over time. Clearly Ando’s architecture operates in that aesthetics, the wabi-sabi aesthetics.

Hence, the works of Ando dissected in this study are examples of what meaningful architectural identity constructed with ‘abstract regionalism’, as expounded by Ozkan , does when designers rallied in defense of a clear and strong ideal derived from its history. It is by no means coincidental that Tadao Ando is also celebrated as a ‘critical regionalist’ by Frampton. His works are also often physical manifestation of his spiritual fellowship with traditional Japanese architecture. As if they were a resurrection of the old Japanese world of wabi and sabi, the spaces he created in his works are repeatedly filled with the tension of the dynamic contained within the static. It exemplifies his act of inheriting a tradit本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。