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was entitled ’17 words of architecture inspirations’.'Buildings are an important form of expression in society, and we should attempt to make them as exceptional as we can, whenever we can.' Through his speech, he was stressing the words 'optimism, political, expression, inexplicable, emotional, hand, real, raw, communicative and democratic' is about human beings. He believed architecture should be like people on an intense human level, rather than ideological or contextual level. Whether his architecture achieves that goal is another debate. Likewise, the use of words like “radical, risky, complex, unexpected and space”, explaining the possibilities to explore deep space rather than explaining what we have here on earth. This idea to assume architecture has similar forms like human beings or a living creature.

 

Daniel Libeskind works as an architect, architectural theorist, a professor and a deconstructivist for many years; when he was 52 year old, his very first building was completed; the Felix Nussbaum Haus opened in the year1998. As a result, critics had rejected his impractical creations as ' impossible to build or excessively bold.' His first design competition that he won was a typical housing project in West Berlin, the year1987, but the housing project was immediately canceled right after the fall of the Berlin Wall. In the early 1990’s, he entered several design competitions and winning projects of the first four.

 

The Jewish Museum Berlin, completed in 1999, was Daniel Libeskind's first foreign achievement and it was the first designer’s building constructed since after the reunification. Most critics labeled his crafts are forms of deconstructivism. Like many great buildings in our time, his designs puzzle the expectations about the city and the characteristic of its furnishings. He is an abstract architect and from his talk as a supernatural-being trying to persuade the public about his ideas. Thus, the more tortured and alienating it is, the better the building. As city after city 'bends over' for these actions, the architect takes on his ego.

 

Daniel Libeskind defying all logic, in one incident he persuaded museum of Palestine to waste hundreds of millions of American dollars on buildings that hardly function, that leaks continuously and hated by the public. It is sad that, he was using the philistine reaction of people who doesn't know as much as he does. His undercut and belittle attitude comes across in every single part of his talk. This could be his confidence and his inner self believing that this rule of deconstructivism which is also the core concept, against every single rule of today’s architecture.

 

Since the late 1980s deconstructivism developments were part of this post-modern architecture. The concepts were referring to fragmentations, an interest of influence ideas using structure's surface or skin, shapes which use the purpose to deform and disrupt various building blocks of architecture, for instance constructions and bends.

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