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The Sun newspaper published a hate campaign and First Secretary of the Welsh Assembly Rhodri Morgan mocked the design project was disrespectful version to the Ka’bah in Mecca, believing that a punishment from god would fall upon Cardiff.

The Cardiff Bay Opera House was neglected from the project organizer; Millennium Commission after a heated argument opposed from the local campaigner, particularly Cardiff politicians worried of such radical architecture was being “forced” on to Welsh city by London’s decision. The authorities were knee in the conservative political traditions and the architectural culture had emerged since the 1970’s. The acceptance has come slowly for her. After the competition for the opera house for Cardiff Bay in Wales in the year 1994, her post modernism design was put down by the locals and those who criticized her work and in the end; her request to build the stadium was rejected.

As the replacement for this project, the Wales Millennium Centre was built, which included a wider range of artistic offerings, keeping with the Welsh heritage and the opera traditions. The Centre opened in November 2004, on location originally planned for the Opera House.

The popular design movement was slowly becoming more daring, but her ideas were far beyond their kind. It was an unexcited moment, for several years which set her back in her office, but one thing she learnt from the competition, the politics that involves her. Later, she became more philosophical, seeing it as a turning point in her career. She slowly learnt to have faith and walk again. After she won the Pritzker Prize that followed with her wild competitive attitude towards her avant-garde aesthetic nature has softened. She responded much of her current behaviors in to two undecided conclusions, living in anger over her failed Cardiff project or strained herself to insomnia.

‘Of course it was unpleasant,’ she said, she mentioned her lost was an important experience after Cardiff Bay. The year 1999 was like the dark ages for her. She did not stop working and continued producing some of my best work. She said defying the rules in that early period changed the way people identify architecture. She got upset that she wasn’t able to achieve her breakthrough success along with Cardiff Bay. She described her experience was 'traumatic' and 'It became a cause celebrity”. 'Everyone was getting on to something, which was never allowed outsiders to win projects that were unknown and not part of their union. They did not accept the truth I was only a woman and to consider the winner was a foreigner as well.'

“I do not have a label or a typecast being stereotype, as a woman they would let you get off, but others will never e本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。