图形背景理论下D.H.劳伦斯《最后的诗》的认知分析 [3]
论文作者:www.51lunwen.org论文属性:硕士毕业论文 thesis登出时间:2016-10-04编辑:lgg点击率:6542
论文字数:38521论文编号:org201610011641239504语种:英语 English地区:中国价格:$ 66
关键词:英语毕业论文阅读共鸣D H 劳伦斯最后的诗
摘要:本文是英语毕业论文,本文认为,动态图形背景理论对诗歌的解读,使得诗歌的主题与美学意义在语言学与认知科学的层面上找到了理据,同时也为读者的阅读共鸣提供了较为科学的解释。
as the basis. In terms of the linguistic studies, Talmy (1975) firstly adopted this kind of static relation into the research on English simple and complex sentences, which initiated the wide acknowledgement of figure-ground theory within the cognitive linguists, and the theory has become an important cognitive rule in language analysis. In his monograph Towards a Cognitive Semantics, Talmy (2000) stated the properties of the two concepts of figure and ground respectively as well as the distribution and relation between them, which provided a new theoretical support for the later language studies. Based on these studies, many scholars conducted different kinds of researches on language phenomena in virtue of this new theory. For instance, Hanks (1992), Ungerer & Schmid (2001) and Langacker (2008) conducted different researches by this theory on syntactic reference, language itself and discourse. In order to describe the dynamic and static relation between these two concepts, many scholars such as Tailor (1988), Ungerer & Schmid (2001) and Langacker (2004) used the terms of “trajector” and “landmark” to indicate the relevant concepts, and then a new concept “path” was put forward to indicate the changing process of the relation between figure and ground.
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2.2 Current Studies of D. H. Lawrence’s Poems
Although the poet position of D. H. Lawrence has got widely acknowledged at home or abroad, the studies towards his poems still leave a lot of vacancy whether in the depth or in the breadth compared with the considerable achievements of the studies on Lawrence’s novels. However, the study on poems also shows its independent developing scheme from the vertical and horizontal dimensions in the studies both abroad and at home. Xu Qinliang & Mei Aixiang (2013) concluded that the studies aboard towards Lawrence’s poems can be divided into four phases: the first twenty years of 20th century, the 1930s to 1960s, the 1970s to 1990s, and from the new century till now. The first phase is the first twenty years of 20th century, which is the initial period of the analyses on Lawrence’s poems. During this period, the findings were restricted within academic papers instead of monographs, and the achievements were mostly the overview reviews on his poems or interpretations towards certain typical poems. The second phase is the period from &
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