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2 # University of Toronto Press. DOI: 10.3138/sim.1.1.002 6 In the third kernel, the plot shifts absent from Homer's struggle over his identification with his media replica to his fixation on the sense that a contemporary label will give him a virgin identity. In this kernel, Homer goes to court to sue "Police Cops" for the improper application of his reputation. 

When his petition is nowadays rebuffed in the term of corporate proprietary interests, he rashly decides to transform his reputation to Max Coercion. Homer's growth is nowadays transformed. His self-image improves, he becomes forceful and dynamic, and his co-workers and boss treat him with respect. Mr. Burns, remembering Homer's reputation for the first interval, exclaims, "Well, who could forget the reputation of a magnetic individual prize you? Keep up the acceptable profession, Max." 

While shopping at Costington's for a contemporary faculty wardrobe, Homer meets a member of Springfield's elite with a similarly powerful label, Trent Steele. Trent nowadays takes Homer/Max under his wing, inviting him to garden troop for "Springfield's young, hip force couples," an period that turns elsewhere to be the jumping off stop for an environmental reason. The critical moment in this kernel-which links the identity crisis of "Police Cops" with the identity theme in the "Max Force" parcel of the episode-occurs when Homer reveals to his contemporary best friend Trent Steele the origin of the term "Max Compel."

When Trent exclaims, "Hey, beneficial term!," Homer replies, "Yeah, isn't it? I got it off a hairdryer." Homer's resolution to his identity crisis with his media self is to redefine himself in terms of the force setting of a mini household appliance. The self is these days equated with a product. At first, the results are stunningly successful. The fourth kernel leads to the denouement. In the third kernel, Homer's appropriation of the identity of his hair dryer appears to have resolved his identity crisis in satisfactory transaction. 

On the other hand, this meaning soon falls apart. At the garden assemblage, Homer and Marge rub shoulders with celebrity environmental activists Woody Harrelson and Ed Begley, Jr., two of the various celebrities lampooned in the phase. The sense extreme these scenes is that Homer, as the buffoon celebrity Max Force, is on the same level as other equally shallow and ridiculous celebrities. 

Finally, Trent Steele announces that it is interval to board a bus to reason "the wanton destruction of our nation's forests." This generate is relentlessly parodied: "We have to protect [trees] by generate of trees can't protect themselves, except, of trail, the Mexican Fighting Trees." The partygoers travel to a stand of redwoods about to be bulldozed and are chained to the trees. 

The police (Chief Wiggum, Eddie, and Lou) confront Homer, attempt to swab his eyes with "Hippie- Coercion" mace, and stop up chasing him on all sides of his tree. His chain works prize a saw, cutting down the redwood, which in turn topples the comprehensive forest. Homer, freed at pe本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。