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ts his girlfriend to death, due to a dispute about the baby. Extremely shocking scenes, placing the concept of quality in front of the audience, HBO has redefined the concept of creativity in terms of glorifying criminal sleaze to influence the society, in the form of mafia-controlled shady practices.

In a country seemingly becoming ever more sensitive to moral violations, and a broadcast network increasingly subject to nervous censors, subscription channel HBO with its original programming( introduced in 1997 with Oz) has a licence to produce edgier drama. Doing things differently, setting itself against what is prohibited on network television, emerges as a crucial strategy for HBO. Writers, producers and directors repeatedly talk about the freedom enjoyed at the company. (McCabe; Akass, p62).

Many people would love The Sopranos because it takes an idea that was tested and probably accurate at the time or still is; the Mafia drama -- and utilises it to address social issues and class, the nightmare of migrant absorption, the moral confrontation of the place of work, and other aspects of modern day American life which are scarcely addressed in film and television, except in the most religious and moralistic fashion. It is amazing how the audiences could relate to a guy so deeply damaged as to be a killer. Although television has from time to time featured wrongfully accused characters but before Tony Soprano, television has generally been 'the good guys' zone. Television producers are been told, that combining the remedial effect of a sinister bad guy with the humane effect of a soft-side, is a wonderful process to make audiences demanding for more.

Dealing explicitly with sex, brutal violence and profanity might well strain the limits of television representation for sure, but HBO’s success with its original programmes (as well as miniseries) has had network executives striving to work out how to replicate the groundbreaking formula. (McCabe; Akass. p74)

David Chase, the creator has never failed to hit back, humorously, at the networks and emphasize that the branded crime-saturated hit series could only have achieve such a huge success on HBO. In accepting The Sopranos' first trophy, for Outstanding Achievement in Drama, he stated 'here's another clue for you all”. He was quoted as saying that, “we all have the freedom to let the audience figure out what’s going on rather than telling them what’s going on” (Lavery, 2005b:5). Even as HBO faces tough competition than usual from other cable channels and other broadcast networks, which have now embraced and implemented the quality cable channel's approach to the kind of provocative storytelling and creative dramatic series that it once helped pioneered.

HBO takes great pains to relate in endless detail how it purposefully uses the illicit to liberate television fiction from established rules and determine different industrial and creative approaches, how the illicit is essential to compelling story-telling, key to creating complex and morally ambivalent protagonist, vital to dramatic verisimilitude and elevating broadcasting standards. (McCabe; Akass. p75)

The Sopranos was acclaimed as the most financially lucrative a本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。