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to gain respect and popularity among female audience first that cannot be fully done by black female rappers through dissing one another.
These were the trends that were typical for 1980s though present in 1990s but what has really become the main trend during 1990s was the increased role of commercial success, which overshadowed all other aspects of black female rappers creative work. In such a situation “’get rich’ mentality that has begun to dominate rap music, many artists loose consciousness of the art and will sell garbage in exchange for money” (Collins 2000, 348). Unfortunately, many black female rappers simply forgot what their life was like before success had come.
As a result the negative image of black female image was promoted by black female rappers and the situation has hardly changed since 1980s when the black female rappers movement got started to be particularly significant. Moreover, in 1990s the situation became even worse. The primary concern they were contributing to and continue to do so is making money regardless moral aspects, ideas and messages they convey to their audience through their work and their image.
Such a situation is particularly dramatic because many black female rappers exploit sexuality and sexual image and often these females “possess good rhyming skills that were hidden behind pornographic talk because this is what their mentors were producing” (Evans 1994, 303).
Furthermore, the negative image that is promoted is not the only drawback of black female rappers concerning feminism and emancipation of black female in American society and culture. The fact, which has already been underlined above, that many of them started at a very young age resulted in the lack of consciousness of their mission as representatives of pop music, of art and primarily as representatives of probably the most deprived part of American society black females which, in order to be really independent and equal to other members of society, have to use all opportunities to promote their positive image, not negative one.
Naturally as teenagers, these young black female rappers were mainly concerned with the money they were making than with the image they were portraying and they could hardly be aware of black feminist movement or womanist ideology. At the same time it was quite natural that their discourse and the message they send to their audience was significantly influenced by surrounding reality and mass culture, which, as it has been already emphasised, were full of stereotypes and there were a lot of prejudices concerning black female and their image. Moreover,, being too young, they could not think absolutely independently. This is why they tended to create the image the audience traditionally expected from them such as exaggerated sexuality and basically negative image. In such a situation there remained little or even no room for feminist ideology and wider representation of real black female image, which was significantly different from stereotyped view on them. In other words, they did not fully realise the opportunity to change public opinion in relation to black females, on the contrary they only reinforced the negative image mistakenly perceived by the vast majority of the audience as traditional and typical for black females.
Probably because of their age they could not act otherwise but at the same time it is necessary to realise that such a situation has not gone to本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。