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emales to create images the most attractive for the wide audience but unfortunately it results in the creation of an extremely negative image of black female that is very dangerous for the progress of black feminist movement.
 
5、Conclusion: the future of black females in American rap music
Thus, taking into considerations all above mentioned, it is possible to presuppose the future of black females in American culture at large and rap music in particular. The recent trends in the development of black female rap are quite disturbing, particularly an unparalleled commercialisation of the industry, but it is necessary to point out that the similar trends are typical not only for females but for males as well as for other industries of pop culture. Nonetheless, this trend is basically the result of male dominated ideology that makes the progress of black female rappers not so effective as it could be.
Furthermore, the perspective development of black female rap music would probably enhance this trend that would naturally lead to further exploitation of sexual images that would not improve the general image of black females which is now rather negative, according to the current images of black female rappers.
On the other hand, there is still some room for hope to change the negative image of black females would eventually vanish due to the creation of new image of a real black female which has nothing in common that conservative and stereotypical dominant male ideologies tend to promote. Fortunately, this presupposition is not purely hypothetical but, on the contrary, it is quite realisable and the growing number of black female rappers is significant evidence in favour of such a perspective. It is quite logical to presuppose that eventually quantity will be transformed into quantity and instead of the current discourse, black female will focus on such things as morality, females’ rights, freedom of standardised stereotypes and real independence.

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