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论文作者:www.51lunwen.org论文属性:学术文章 Scholarship Essay登出时间:2015-03-02编辑:Cinderella点击率:9956
论文字数:4794论文编号:org201502052034267987语种:英语 English地区:澳大利亚价格:免费论文
摘要:本文研究了西方世界对阿拉伯世界,尤其是摩洛哥的刻板负面印象。
Most individuals are quite capable of forming opinions without adequate prior-knowledge, thus forming a prejudgement either for or against a group, idea, or person. For example, after learning about the bombing of the federal building in Oklahoma, how many people immediately thought the explosion had been the work of Arab terrorists? (Cited in Naylor’s Cultural Diversity in the United States, 330)
Similarly to what happened during the evens of Oklahoma, moviemakers have tried to instil the idea of Arab terrorism in the minds of the audience either through special effects or real military victories. Balio, Barder, Bordwell and Thompson, Shohat and Stam and Hoberman all concur that the movies have influenced virtually every human activity, from politics and warfare to sexual behaviour and dreaming. It is true that after the events of 9/11 for example, the movies have turned Americans as Hoberman notes into “Bob Hoskins in Toontown, real people wandering around delirious mental landscape of special effects, feel good fantasies, and militaristic spectacles (Vulgar Modernism, 334).
The contemporary approval and greeting of movies feigning Morocco by Anglo-Americans is one of the apparent examples that demonstrate the continuity of the orientalist discourse at higher stages of representation. Films as “a new discursive formation” seem to continue and return to the same images and stereotypes of olden travel narratives and guide books written on Morocco. While talking about continuity and repetition in discourse, Foucault argues that the appearance of a new discursive formation does not necessarily suggest the disappearance of the previous one. In Archeology of Knowledge, Foucault explains this saying that
To say that one discursive formation is substituted for another is not to say that a whole world of absolutely new objects, enunciations, concepts, and theoretical choices emerges fully armed and fully organized in a text that will place that world once and for all; it is to say that a general transformation of relations has occurred, but that it does not necessarily after the elements; it is to say that statements are governed by new rules of formation; it is not to say that all objects or concepts, all enunciations or all theoretical choices disappear . On the contrary, one can, on the basis of these new rules, describe and analyze phenomena of continuity, return, and repetition. ( 191).
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