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h other styles and influences creating a wider diverse range which would not so easily be accessed or noticed through record stores. Most importantly for the consumer, new technologies allow customers to search and discover music in the comforts of their own home without the fears of character judgement, which can deter some listeners to widening their selections of music. This can also relate to all kinds of products outside of the music industry.

Customers can access many different types of products, again in the comfort of their home, with the use of the internet. Many potential customers choose to browse and buy online as opposed to traipsing around the high street shops to buy their products, apart from the percentage of buyers who like to feel what they buy and see the product upfront. This rationale however, is the complete opposite in relation to music. Instead of endlessly looking at CD covers for images and song titles to convince us whether or not to buy that particular CD, and the obvious worry that we may not like what we end up hearing, the internet offers customers previews of tracks from singles and albums assuring us of what we are buying. Despite controversial views on album un-bundling, it’s apparent that customers feel they don’t want to be forced into buying some music they don’t like in order to receive music they do like.

It’s possible to say that advances of new technologies accompanied by the internet is making music more diverse and democratic, but is it the music or peoples attitudes who know no better than to use all means necessary to attain their music. It’s almost become second nature for many consumers and growing youth cultures to turn straight to the internet or their mobile phones, iPods and mp3 players to listen to and get the music they want rather than understanding the financial processes involved within music production and therefore, pay for the product. I don’t necessarily think the actions of such activities are undergone by the public because of a lack of respect towards artists and music itself, but because attitudes in society have changed, with so, the value of music.

Chapter 3 - (‘My little hobby’ and the value of today’s music)

“Within studios, the advent of synthesisers and cheap studio software has blurred the established distinctions between musicians, composers, engineers and producers to the point where they may disappear, as recording technology has advanced well beyond the point where the main purpose is to ‘record’ a performance”.

(Scott, D 1995 p.210)

According to Brian Eno:

“There’s been a break between the traditional idea of music and what we now do on records. It’s now possible to make records that have music that was never performed or never could be performed and in fact doesn’t exist outside of that record”.

(Eno, B. 1983:16 cited in Scott, D 1995 p.210)

In 2007 Thom Yorke and the other founding members of Radiohead released a path-breaking album which may revolutionise the way bands and artists sell their music to their consumer audience. The band quit their record label shortly before deciding to sell their music without the help of their long time own本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。