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摘要：本文是一篇音乐学留学论文。在数字化的时代，音乐的使用、音乐的文化和免费音乐的价值都是极为重要的。过去十年间，音乐产业迅速发展，带来不同的文化体验，下载免费音乐长大的一代孩子仅仅会通过互联网找到他们想要的资源和娱乐内容，认为他们是免费的，他们不能接受这些娱乐方式开始收费的情况。本文主要以免费音乐文化为出发点，分析音乐文化的变迁。

day’s industry and is hard to solely identify the substantial comparisons of the two. However, this table shows the oppositions involved with the popular music industry and shows that the list on the right carries more positive connections than the one on the left, showing the majors as the enemy of all the points covered, placing independent companies in a position as guarantors of authenticity in popular music.

MajorsIndependents

SafeNew/risky

DistantIntimate

ProfitArt

FakeReal/genuine

StandardisedInnovative

ConventionalRadical

‘Whited-out’Ethnically assertive

Middle-agedYouthful

(Wall. 2003 p.85)

There are many more ways music can be implemented today compared to its original form. Producers and song writers can now target a number of different markets to sell their music too such as: Household entertainment, TV and film, radio, musical devices (mobile phone ring tones), theatre shows, library music, shops, restaurants and advertisements. Individuals who write music within their home studios are not necessarily making music for money and recognition but as a hobby to feed their creativity in their spare time, perhaps working freelance outside of their 9 to 5 job.

Creativity within music could boil down to a cultural process as people who are creating new music, in other words significantly different music, is made by social authors who work in networks, collaborating and sometimes competing with co-workers, critics the industry and the audience creating cultural change within society.

“A society without music has never been discovered. But although music making is a universal feature of human society, it is by no means universally undertaken by every individual within society”.

(Clayton, M. Herbert, T. Middleton, R. 2003 pg 263)

It’s possible that the uses of home studios and cheap studio software are having an effect on the potential market for individuals who are trying to break into the industry, as freelance producers take up jobs in their own time. The laid back attitudes of ‘my little hobby’ producers and unsigned artists putting music on the internet, also threatens the value of music in the future as they are not so bothered about allowing their music to be downloaded for free.

Costs of hiring recording studios too much for young artists so they do it at home

Can do everything in a home studio as you can in pro studio

Daniel beddingfield for instance

Free music

The term ‘free music’ is similar to the notion of ‘free software’ as the word ‘free’ refers to freedom not price. Free music does not mean that musicians cannot charge their records, tapes or CD’s. Free music means anyone has the freedom to do as they wish with that medium such as copying, distributing or modifying for personal or non-commercial purposes as it is usually DRM and copyright free.

Its more so the expression of ideas which can be classed as ‘free’ as the user again has the freedom to 本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。