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Throughout this dissertation it’s apparent that the internet has added a major new dimension towards the marketing, accessing and consumption of popular music, while creating new problems for the enforcement of copyright control on music and software. The internet was originally created for military use and is a ‘computer-linked global communications technology’ with increasing amounts of people accessing it since the late 1990’s. The web includes sites for online retail shops, for record companies and performers, online music journals, concerts and interviews, web radio and bulletin boards, but is now mostly associated with downloading music as digital files and downloading cheap, cracked versions of studio based software.

The technical and musical mechanics available to the public today has closed the gap between professional and amateur producers in an out of the studio. Five years ago the consumer could only wonder how they could ever create their own music due to the costs involved in making a record as well achieving the popular status needed to succeed in the music industry. Today, however, a huge amount and an ever growing number of people are now making their own music for them selves as they realise the ease of attaining equipment and software to do so.

With access to buying industry standard equipment and cracked software anyone can have ago at making a song and doesn’t necessarily have to be involved in the industry or to even take it seriously and could be considered as a hobby whereas in the past recording and producing music was outlined as a profession. The advent of MIDI and digital electronics completely restructured music production from the early 1980’s onwards and the development of new generation instruments and software created fresh sound possibilities, extended style, techniques and concepts of production, and raised the status of producers, professional or amateur. The price of software is continually falling and the VST side of sequencing software on computers have become more favoured over the years making it acceptable to use within a record.

There is always going to be a degree of competition and audible difference in quality between professional and amateur artists in terms of production, but if major labels start to work in favour of digital promotion and distribution, then the future of amateur music on the internet will be threatened by the bigger labels. The influx of new music posted on the internet is healthy for independent labels and the promotion of up and coming artists, signed or unsigned as corporations have spent so long fighting for rights and trying to stop digital downloads.

The threat comes from artists writing music for major labels as they have the upper hand because they are drastically supported and funded, ensuring their product and their image looks and sounds better compared to the D-I-Y amateur artist and will gain more control of the attention and direction of their fans.

The difference between the major record labels and the independent labels are pretty vague in to本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。