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The Aesthetics ofCulturalTransfer in Langston Hughes’s TranslationsofW orks by Federico García Lorca, NicolásGuillén, and JacquesRoumain [6]

论文作者:www.51lunwen.org论文属性:职称论文 Scholarship Papers登出时间:2014-01-11编辑:hynh1021点击率:7085

论文字数:3659论文编号:org201401101807183774语种:英语 English地区:中国价格:免费论文

关键词:禁忌社会风俗价值取向

摘要:It’s themango tree, the oak, themahogany thatgives itrainwaterwhen it’s thirsty and shade it from the noonday hea.t That’s how it is—otherwise the rain carries away the soil and the sun bakes i,t only the rocks re-main. That’s the truth. It’s notGod who betrays us. We betray the soil and receive hispunishmen:t drought and poverty and desolation.” Délira/M other:“I’m notgoing to listen,”said Délira, shaking herhead. “Yourwords sound like the truth—but the truth’s probably a sin.”

red in themountains to their village (Martin-Ogunsola 10). Themajor challenge for poetHughes in translatingMasters of theDewis that it iswritten inprose, like novels should be. However, in certain passagesRoumain’s poetic inclination waxesstrong. Providing a third example ofcultural transfer through the poetics ofmarginalization in thiswork. When theProdigalSonManuelconverseswith hismotherDélira aboutthe people’s respon-sibility to act instead ofpraying, the elderwomanmisseshis poin,t aswe see in the following hu-morous allegory:    
Délira/M other:“It’s an evilwind thatdrags itswings on the ground like swallows andstirs up dus-t smoke. Look at the swirls ofduston the savanna. From sunup to sunse,t notasingle bead of rain in thewhole sky. Can itbe that theGood Lord has forsaken us?” M anue:l“The Lord hasn’tgot a thing to dowith i!t” Délira/M other:“Don’t talk nonsense, son!” Frightened, old Délira crossed hersel.f M anue:l“I’m not talking nonsense, Mama. There’s heavenly business and there’searthly business. They’re two different things, not the same. The sky’s the pastureland ofthe angels. They’re fortunate—they don’t have to worry about eating and drinking. Ofcourse, theyhave black angels to do the heavywork—likewashing outthe cloudsorcleaningoff the sun after a storm—while the white angels just sing like nightingales all day long, orelse blow on little trumpets like the pictureswe see in church.” “But the earth is a battle day by daywithout truce, to clear the land, to plan,t toweedand water ituntil the harvest comes. Then onemorning you see your ripe fields spread outbefore you under the dew and you say—whoever you are—‘Me—I’m master of the dew!’and yourheart fillswith pride. But the earth’s like a goodwoman: ifyoumistreather, sherevolts. I see thatyou have cleared the hills of trees. The soil is naked, withoutprotection.It’s the roots thatmake friendswith the soi,l and hold i.t


 It’s themango tree, the oak, themahogany thatgives itrainwaterwhen it’s thirsty and shade it from the noonday hea.t That’s how it is—otherwise the rain carries away the soil and the sun bakes i,t only the rocks re-main. That’s the truth. It’s notGod who betrays us. We betray the soil and receive hispunishmen:t drought and poverty and desolation.” Délira/M other:“I’m notgoing to listen,”said Délira, shaking herhead. “Yourwords sound like the truth—but the truth’s probably a sin.”

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