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1.你的主题是什么?问题是什么?次要的问题是什么吗?(不要太多!)假设是什么?

2.你想要调查的与你的主题有关的具体问题是什么(确保他们能够在日历规定的范围内接受调查)?

3.你需要什么样的数据充分解决这些问题?为什么这些数据能够充分给予你帮助呢?

4.你能够从哪些渠道获得这些数据?(地方,人类主体、文本、文化现象?)

5.你将如何获得数据?(文献搜索?面试吗?问卷调查吗?观察吗?媒体生产吗?反思实践?)

6.你打算怎么(一般地说)记录,管理和分析这些数据?你将利用哪些分析模型和理论?

7.你的逐月时间表是什么?

简介:回答“那又怎样?的问题,想要说服读者你就需要这样做

文献综述:具体化你的研究。回答这个问题:我适合哪个领域?确定研究问题。

方法:确定你的研究设计的本质和您将使用的方法。包括解决问题的方法，途径，为什么解决这些问题,如何分析数据。

结果,讨论,分析:结合或分离,可以引导的问题

结论:将一切问题相关的内容都结合在一起,回答你所研究的问题。讨论限制和未来的工作。

恐怖的无休止的循环:调查新世纪恐怖类型电影的持久吸引力

1. What is your topic? Question? Sub-questions? (Not too many!) Hypothesis?

2. What specific issues associated with your topic do you want to investigate (making sure they are capable of being investigated within the constraints of the MA calendar)?

3. What sorts of data will you need to adequately address each of these issues? Why will this data help you in particular?

4. From what sources (places, human subjects, texts, cultural phenomena?) will you obtain this data?

5. How will you obtain the data? (Documentary search? Interviewing? Questionnaire? Observation? Media production? Reflection on practice?)

6. How do you intend (in general terms) to record, manage and analyze this data? What analytical models and theories will you draw on?

7. What will your timetable be month by month?

Introduction: answers the ‘so what?’ question, convince reader you need to do this

Literature Review: Contextualises your research. Answers the question: Where do I fit? Research questions determined.

Methodology: Determines the nature of your study design and the methods you will use. Include how you approach the subject, methods, why, ethics, how you analysed data.

Results, discussion, analysis: combined or separate, can be guided by questions

Conclusion: Draws everything together and answers your research questions. Discusses limitation and future work.

HORROR’S ENDLESS CYCLE: AN INVESTIGATION INTO THE ENDURING APPEAL OF THE HORROR GENRE IN THE NEW MILLENNIUM.

INTRODUCTION:

The horror genre has deep roots in the classical studio era. Yet in important ways it also looks ahead to the post-classical period, a period of reduced levels of film production and correspondingly weakened genre identities. As a fantasy genre, horror departs in significant ways from the prevailing canons of representation in the classical Hollywood style, whether one takes that mode to be a form of realism or of melodrama. Horror has an identity as an unrespectable genre for an undiscriminating juvenile audience (or an audience that has its mind on other things), with strong roots in exploitation cinema, that has only fairly recently emerged as an attractive genre for large scale production at major studios.

Finally, it has attracted significant critical attention in recent years, and in each case theories of postmodernism and – which is not always the same thing – currents in postmodern theory have played an important part in reconceiving the genre fo本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。