英语论文网

当代文化已经发生了根本的变化
The contemporary culture has radically changed

女性的形象正在从一个世纪向另一个世纪转变。当代文化已经彻底改变了传统女人的地位:高技术产生了社会平等的情况,基于女人与男人某种程度的相似性,能够执行相同的工作。这些社会角色和性别的变化在社会和法律领域中落实。

两个世纪前,女医生,教师,律师,科学家,甚至军队或警察没有不适合社会意识和造成负面感知，不仅在男性人群中,也在女性中。今天,在教育和医学领域中妇女的比例超过男性的比例,技术先进的国家和社会意识逐渐习惯于认为物质福利的家庭，同样取决于两个男人和女人.

研究表明,妇女在各级政府中使国家稳定。理想情况下,女性的力量应该占据30-40%,然后，社会发展了一个更加稳定和面向社会的政策。否则,这个国家的方向朝着不可挽回的方向转向男性战斗和激进的步骤。如今,在瑞典议会中,33岁的女性占40%,芬兰占5%,在丹麦占33%.

在当代社会的现实中,人类出现材料性质的一个主题,而物质快乐的层次结构是最大的乐趣性。在流行文化中,女人是该行业核心要素的快乐(娱乐、休闲),导致女性在公众生活中所有表现的影响。艺术家的广告海报和摄影师促进了美丽-女人神秘的新理想:迷人,梦幻和憔悴。

艺术与社会:女性形象的转换——Art & Society: Transformations of Female Images

The image of women is changing from century to century. The contemporary culture has radically changed the traditional position of a woman: the highly technological produced the situation of social equality, based on the fact that a woman is similar to a man, and is able to perform the same functions. These changes in social roles and gender couldn't help materializing in social and legal spheres.

Two centuries ago, a woman-doctor, teacher, lawyer, scientist, and even military or policeman didn't not fit the social consciousness and caused negative perception not only among the male population, but also among women. Today, the proportion of women in the fields of education and medicine exceeds the proportion of men, and social consciousness in technologically advanced countries gradually becomes accustomed to the idea that material well-being of the family depends equally on both man and woman (Broude and Garrard 34-37).

The researches show that women in government of all levels to stabilize the country. Ideally, women in power should make 30-40%, and then the society develops a more stable and socially oriented policy. Otherwise, the country's direction irreparably shifts to male fights and aggressive steps. Nowadays, women make up 40% in the Swedish Parliament, 33,5% in Finland, 33% in Denmark (Steele 315-328).

In the reality of contemporary society, a human appears as a subject of material nature only, while the greatest pleasure in the hierarchy of material pleasures is sexual one. In popular culture, a woman is the central element of the industry of pleasure (entertainment, leisure), which contributes to women's influence on all the manifestations of public life. The advertising posters by artists and photographers promote the new ideal of beauty - woman- mystery: charming, dreamy and languish. The main features of a modern femme fatale are confidence, charisma, sharp wit, originality, and sexuality. But giving women social freedom, the mass culture almost completely destroys the traditional female image, bringing this freedom to the destructive absurdity: women lose their inextricable link to the concept of “woman- mother”, as well as they lose sacredness of female being (Pollock 33-37).

The contemporary appearance of indigo women is characterized by unnatural thinness, flat breast, disproportionately long, thin legs, similar to mechanical connecting rods. This image is imbued with asexuality and aggression. Equally aggressive is another image of modern women, where the woman appears as a killer, demon, bearer of sin and evil. These images have本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。