英语论文网

development of movies leads to the development of its sidelines and the development of its sidelines supporting the movie industry consequently. Thus, from this way, the movie industry can unite with sidelines to form a mega-industry. This unitization will lead Chinese movie-industry to stepping on the way of flourish and make Chinese movies become more competitive. Last but not the least, China should enhance the influence of their movie festivals since movie festivals are windows of introducing Chinese domestic movies and cultures to foreign friends. C. Reinforcing Patriotism and Protecting the Country’s Movies Lastly, the development of domestic movies relies on the support from the Chinese masses, especially Chinese audience and the government. Audiences are the motivation of movie industry, and Chinese movie industry would stop its advancing steps and fall down without them. Therefore, the captious audiences who have the bad idolatrous thought to American movies should wake up and give a chance to Chinese domestic movies. Thus, they will surprisedly find that some domestic movies are not valueless for watching as they thought before. Nowadays, facing the situation in which American movies flood in the market of China and always take the first seat in box office receipts, it’s the time for the Chinese government take effective tactics to defend domestic movies against the big impact made by the “big wolf”. They can take their neighbor—— Korea’s strategy to protect domestic movies within the range of WTO’s rules. Conclusion Hollywood’s time has finally come. Facing the big impact made by American movies, Chinese movie industry should wake up. In this competitive worldwide movie market, the “big wolf’s” coming has made Chinese movie industry be in a more awkward situation. The first step for Chinese movies to go out of this awkward situation is to know why American movies can impact on Chinese industry much. To solve this problem, this thesis states the following objective causes and subjective causes. The objective causes include: 1) there is big disparity between Chinese movies and American movies’ quality; and 2) these two countries hold many differences in the market operation mechanism and American movie industry has a perfect system of marketing their movies. The subjective causes include: 1) the Chinese people’s taste of movies are getting increasingly Americanized and Europeanized; and 2) the Chinese government, media and audience just are not fully aware of the importance of protecting domestic movies. Only when all of these problems are solved, can Chinese movie industry step out of the awkward situation and turn to a new page of its bright future. Acknowledgements I would like to take this opportunity to give the most heartful thanks to my tutor—Mr. Zhang Chun who offers me academic and constructive advice on composing this paper. His encouragement and help are worthy of high acknowledgement. In addition, I would like to take this opportunity to thank Mrs. Tan Changlian who offered me help of finding the references, and lastly, I would like to give my thanks to all my friends and classmates who offered me help to complete my paper. Bibliography [1] Barry R. Litman . The Motion Picture Mega-Industry [M]. 北京:清华大学出版社. 2005. [2] Charles Musser. The Emergence of Cinema: The American Screen to 1907[M]. New York: Scribner’s. 1991. [3] Douglas Gomery. “Hollywood’s Business” in American Media [M]. Washington, DC: Wil