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1.1 Rationale and Significance of this Research本研究的基本原理和意义
徐志摩（徐志摩,1897-1931）是著名的中国现代诗人，也是在中国文学史上是一个伟大的诗歌翻译。虽然他的翻译和写作生涯只有11年之久，于1921年^开始，并在1931年结束时，他在一次飞机失事中去世，他翻译了国外80 首诗歌，写了186诗............Xu Zhimo (徐志摩，1897-1931) is a famous modem Chinese poet, who is alsonoted as a great poetry translator in the history of Chinese literature. Although hispoetry translation and writing career is only eleven years long, which began in 1921^and ended in 1931 when he died in a plane crash, he translated about 80 foreign poemsand wrote 186 poems，which have made great influences in the formation of theChinese New Poetry in the 1920s. The 1920s is also known as the May 4^^ period,which occupies an extremely important position in the history of Chinese literature. It'sthe turning point of Chinese literature and the beginning of the New Literature of China,because many literature genres such as the Chinese New Poetry and the Chinese NewNovel were taking formation in this period. According to Even-Zohar, a given nationalliterature can be seen as a ploysystem which has many subsystems. Those subsystemswhich "most closely reflect the most accepted, institutionalized aesthetic" are called"canonized" or "high" forms and “will attempt to retain their prominent, influentialposition,https://www.51lunwen.org/yywxlw/ while other innovative, ‘non-canonized’ genres will attempt to usurp theircentral position." Translated literature is considered as one of those "non-canonized" or"low" forms and often "occupies a peripheral position", but can move to the centralposition sometimes (Mark Shutleworth & Moira Cowie, 2004:127-128). Even-Zoharalso points that this only happensTherefore, in the May 4th period, which is apparently a turning point of Chineseliterature according to the above-mentioned, the translated literature occupied a centralposition of the ploysystem of Chinese literature. According to Even-Zohar, “ to say thattranslated literature maintains a central position in the literary ploysystem means that itparticipates actively in shaping the center of the ploysystem" by introducing "features(both principles and elements) of foreign works into the home literature which did notexist there before" (Itamar Even-Zohar, 2009:139-140). Thus, the translated poetry inthe May 4th period participated actively in shaping the Chinese New Poetry byintroducing features of foreign poetry. Then, what kinds of features were introduced atthat time? Obviously, it's difficult to answer this big question since a large amount offoreign poems were translated at that time. However, Even-Zohar also points that "oftenit is the leading writers (or members of the avant-garde who are about to becomeleading writers) who produce the most conspicuous or appreciated translations" whentranslated literature is in the central position (Itamar Even-Zohar, 2009: 140), and itwas true in the May 4th period, when Hu Shi (胡适)，Guo Moruo (郭沬若)，Wen Yiduo(闻一多），and Xu Zhimo were just those leading poets who produced the mostappreciated poetry translations. So if people want to find out what kinds of featureswere introduced into the Chinese New Poetry from foreign poetry, they should at firstgain a clear idea of how the poetry writing of those people, who are both gr本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。