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世界如其所是，人，微不足道———从贝克特的《等待戈多》和安德列耶夫《人的一生》看荒诞派戏剧和表现主义哲理戏剧的艺术手法及其悲观主义哲学理念

“希望迟迟不来,苦死了等待的人。”
The life is meaningless, absurd, tragic, hopeless theme in beckett's "waiting for godot" at the show was possible. Two people full of hope to wait for such as hope not forever, that it is a life without hope, no purpose of waiting. 英语论文网https://www.51lunwen.org
人生的毫无意义,荒唐、悲惨、无望的主题在贝克特的《等待戈多》一剧中被表现得无以复加。两个人充满希望地等待着永远等不来的希望,说明人生根本就是一场毫无希望、毫无目的的等待。
As a kind of modern literary genre, rewarding drama and many literary and artistic ideas and philosophical schools have a close relationship. From the point of view of art's own development, for centuries, and many writers to the world and the absurdity of life are discussed. The ancient Greek drama early on behalf of writer aristophanes, ancient Rome comedy writer, oprah's figure, Geoffrey Chaucer, Spanish writer Cervantes, French comedy writer moliere, British writer dickens, Russian writer, was GuoGeLi Oregon rove, have different brushwork described in the world of absurdity and characters. In the 20 th century, the dadaist modernist literature for all things of hollowness and nihilism attitude, surrealism to naturalism gimmick to behave "fantasy" and absurdity ridiculous spectacle of the subconscious writing style, especially with the performance of the deformation of the distortion of technique to performance of things the intrinsic essence, to "save the soul" to find yourself claims, it all to the drama of the absurd appear to have the significant influence. Rewarding drama can say is the collection modernist school drama DaChengZhe, is to all sorts of modernist school drama a new development. Existential absurd is the core and soul of drama, it with fantastic form and content to express the basic idea of existentialism. In the presence of a socialist, it seems, is the foundation of no man, is being thrown to the existence of the FeiRenHua to the "existence".
作为一种现代文艺流派,荒诞派戏剧与许多文艺思潮及哲学流派有着密切的关系。从艺术自身发展的角度来看,多少世纪以来,就有许多作家对世界及人生的荒诞性问题进行了探讨。古希腊早期戏剧代表作家阿里斯托芬,古罗马喜剧作家普拉图斯,英国诗人乔叟,西班牙作家塞万提斯,法国喜剧作家莫里哀,英国作家狄更斯,俄国作家果戈理、冈察洛夫,都曾以不同的笔法描写了荒诞的世界和人物。到了20 世纪,现代派文艺中的达达主义对一切事物的幻灭感和虚无主义态度,超现实主义以自然主义的手法表现梦幻和荒诞无稽景象的下意识创作手法,尤其是表现主义借助扭曲变形的手法来表现事物的内在实质,为“拯救心灵”去寻找自我的主张,这一切都对荒诞派戏剧的出现产生了重大影响。荒诞派戏剧可以说是集现代派戏剧之大成者,是对各种现代派戏剧的一个新发展。存在主义哲学是荒诞派戏剧的核心和灵魂,它以荒诞的形式和内容来表达存在主义的基本思想。在存在主义看来,人是没有根基的,是被扔到存在中来的非人化了的“存在”。
People live in a and he owed, ruthless world, thus produce a fantastic feeling. As existentialists camus' in his essay "cc eph, myth" in said: "a rational explanation of the method in the world, no matter how much trouble, goal is a kind of in the world, but once the universe and light disappeared illusion, people will feel oneself is a stranger, he became a can't recall exiles, because he was deprived of the memory of the home to lose, but at the same time is also a lack of hope to the future of the world; this man and his own life of separation, the actor and the stage of separation, the really a fantastic feeling." The basic theme of folly to be with two words can generalize--" absurd."
人生活在一个与他毫不相干的、冷酷无情的世界上,从而产生一种荒诞感。正如存在主义者加缪在他的论文《西西弗斯神话》中所说的:“一个能用理性的方法解释的世界,不论有多少毛病,总归是个亲切的世界,可是一旦宇宙中的幻觉和光明都消失了,人便觉得自己是个陌生人,他成了一个无法召回的流放者,因为他被剥夺了对于失去的家乡的记忆,而同时也缺乏对未来世界的希望;这种人与他自己生活的分离、演员与舞台的分离,真正构成了荒诞感。”荒诞剧要表现的基本主题可以用两个字加以概括———“荒诞”。表现人与自己生存环境的隔离,人与整个世界的异化,以及由于这些异化带来的精神创伤、变态心理、悲观主义情绪、虚无主义思想以及寻找自我、执著的努力。《等待戈多》单就其内容而言,已把悲观人生的主题表现得淋漓尽致。荒诞剧在艺术表现上的特点与其基本思想是一致的。既然世界是非理性的世界,人是非理性的人,那么他们就不可能以理性的方式来表现。相比而言,同样是表现存在的毫无意义,或理想本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。