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In Oranges Are Not the Only Fruit, the home has been enveloped in the religious fervour of the heroine’s adoptive mother, who has turned the family into a preaching place. The house has lost its original connotation, and underneath the mother’s religious fantasies, it is full of an extraordinary “unquestionability”. The home is the product and embodiment of the mother’s will. The adoptive mother places everything in the house, including the orphan and the husband, under her authority, becoming the shaper and dictator of the space. “A kingdom of power is formed under the private sphere” (Chizuko 68), and the mother’s power constructs this domestic space. The power of the mother depends on the irresistible divine power of the Church, which spreads the supreme religious divine power in the home, and the space of the home becomes a religious territory.

The decorations in the house reflect the almost rabid religious fervour of her adoptive mother, and most of the religiously themed decorations come from the gifts given to her by Reverend Spratt, who persuaded her to convert. In a drawer especially emptied for the purpose is a sumptuous tablecloth inscribed with “DEEDS OF THE OLD TESTAMENT” and containing “a special drawer with nothing else but a piece of Tiffany glass and some parchment from Lebanon” (Winterson, Oranges, ch.1). The fact that the tablecloth with the religious motto and the precious crystal ornaments are kept in a separate internal drawer also shows the importance that the foster mother attaches to her religious beliefs. As an enclosed interior space, the drawer represents the inner world of the adoptive mother (Bachelard 85), whose heart was filled with religious beliefs, leaving no room for her adopted daughter or her husband. At the head of the mother’s bed, a very private and personal space lay a photograph of a priest who has travelled to Africa to preach in the heat. The same priest who initiated the mother into religion has travelled to remote countries to try to convert the heathen and in this photo, he is surrounded by a group of black men carrying spears.

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1.2 Sexuality as the key to deterritorialization

The territory of the home has shaped the heroine and she continues to grow up according to her mother’s will, but in the process of becoming, she eventually breaks down the walls of her home and deterritorializes the space of her home. The point of deterritorialization is the conflict between the heroine’s own homosexuality and the strict rules of her mother’s religion regarding sexual orientation. The walls of the territory crack and deterritorialization finally comes to the surface. The clash of sexual orientations becomes the key to the complete overthrow of this territory, as the territory throws the heroine out of the house because of her mother’s religious ideals.

The heroine discovers her homosexual orientation in generation, not initially realising that the outpouring of her natural feelings will have some painful consequences. She doesn’t even have a concept of sexual orientation. The heroine meets a girl call本论文由英语论文网提供整理，提供论文代写，英语论文代写，代写论文，代写英语论文，代写留学生论文，代写英文论文，留学生论文代写相关核心关键词搜索。